Mastering Colorist: Special Edition
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Stereoscopic Conform Editor
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Digital Intermediate Color Assist
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Digital Intermediate Colorist
John Dies at the End (2012)
Directed by: Don Coscarelli
Cinematography by: Mike Gioulakis
Cameras: Aaton XTR Plus Camera, ARRI ALEXA XT M Camera
Digital Intermediate Colorist
The Killing Jar (2010)
Directed by: Mark Young
Cinematography by: Gregg Easterbrook
Edited by: Mark Young
Digital Intermediate Colorist
The Lightkeepers (2009)
Directed by: Daniel Adams
Cinematography by: Tom Jewett
Edited by: Dean Goodhill
Cameras: ARRI Cameras
Digital Intermediate Colorist
For the Love of a Dog (2008)
Directed by: Sheree Le Mon
Cinematography by: Jayson Crothers
Digital Intermediate Operations
Hatchet (2006)
Directed by: Adam Green
Cinematography by: Will Barratt
Edited by: Christopher Roth
Digital Imaging Supervisor
Looking for Fidel (2006)
Directed by: Leonardo Corbucci
Edited by: Leonardo Corbucci
Scan/record Manager
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Scan/record Manager
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Remastering Colorist
Matchstick Men (2003)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Scanning And Recording Manager / Visual Effects Color Timer
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Visual Effects Color Timer
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Scanning And Recording Manager
Bubba Ho-Tep (2002)
Directed by: Don Coscarelli
Cinematography by: Adam Janeiro
Cameras: ARRIFLEX 535 Camera
Visual Effects Color Timer
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Scan/record Manager
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Scan/record Manager
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Visual Effects Color Timer
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Remastering Colorist, Visual Effects Color Timer
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Color Timer
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Scan/record Manager
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Scan/record Manager
One Night at McCool's (2001)
Directed by: Harald Zwart
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Platinum Camera
Scan/record Manager
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Scan/record Manager
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Visual Effects Color Timer
Hardball (2001)
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Scanning & Recording Manager
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Scan/record Manager
Bait (2000)
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Scan/record Manager
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Scan/record Manager
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Scan/record Manager
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Remastering Colorist
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Remastering Colorist
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
