Andreas Jablonka

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Riddick | ShotOnWhat?

Digital Compositing Supervisor: Method Studios

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Jack the Giant Slayer | ShotOnWhat?

Lighting Technical Director: Digital Domain / Senior Digital Compositor: Digital Domain

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Pirates! Band of Misfits | ShotOnWhat?

Senior Digital Compositor

The Pirates! Band of Misfits (2012)

Directed by: Peter Lord, Jeff Newitt

Cinematography by: Frank Passingham

Edited by: Justin Krish

Cameras: Canon EOS-5D Mark II Camera

X: First Class | ShotOnWhat?

Digital Compositor: Weta Digital

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Warrior | ShotOnWhat?

Digital Compositing Supervisor: 2G Digital Post

Warrior (2011)

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Editing System: Avid Editing System

Battle Los Angeles | ShotOnWhat?

Senior Compositor: Shade VFX

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Rise of the Planet of the Apes | ShotOnWhat?

Compositor: Weta Digital

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

"No Ordinary Family" Pilot | ShotOnWhat?

Senior Nuke Compositor: Zoic Studios

'No Ordinary Family' Pilot (2010)

Television Episode

Directed by: David Semel

Cinematography by: David Boyd

Edited by: Tirsa Hackshaw, Mark Manos, Troy Takaki

No Ordinary Family | ShotOnWhat?

Senior Nuke Compositor: Zoic Studios - 1 Episode, 2010

No Ordinary Family (2010)

Television Series

Directed by: Terry McDonough, David Semel, Paul A. Edwards, Timothy Busfield, David Paymer, John Polson, Wendey Stanzler, Ron Underwood, Tom Verica, Greg Beeman, Milan Cheylov, David Petrarca, Stephen Surjik, Michael W. Watkins, Peter Werner

Cinematography by: Oliver Bokelberg, Joaquin Sedillo, David Boyd

Edited by: Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen

Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera, Weisscam Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Nutcracker in 3D | ShotOnWhat?

Digital Compositor: Luma Pictures

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Alice in Wonderland | ShotOnWhat?

Compositing Lead: SPI

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

G-Force | ShotOnWhat?

Lighting & Compositing: Sony Imageworks

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Digital Compositor: Luma Pictures

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

2012 | ShotOnWhat?

Senior Digital Compositor: Pixomondo

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Underworld: Rise of the Lycans | ShotOnWhat?

Compositor: Luma Pictures

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

First Sunday | ShotOnWhat?

Digital Compositor: Zoic Studios

First Sunday (2008)

Directed by: David E. Talbert

Cinematography by: Alan Caso

Edited by: Jeffrey Wolf

Nights in Rodanthe | ShotOnWhat?

Digital Compositor: Pixel Magic

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Get Smart | ShotOnWhat?

Digital Compositor: Pixel Magic

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Digital Compositor: The Orphanage

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Live Free or Die Hard | ShotOnWhat?

Compositor: The Orphanage

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

The Golden Compass | ShotOnWhat?

Compositor: Rhythm & Hues

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Rotoscope Artist

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rocky Balboa | ShotOnWhat?

Digital Compositor: LOOK! Effects Inc.

Rocky Balboa (2006)

Directed by: Sylvester Stallone

Cinematography by: Clark Mathis

Edited by: Sean Albertson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Lenses: Zeiss Master Prime Lenses

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