Ethan Borsuk

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West Side Story | ShotOnWhat?

Assistant Camera: Drone Unit- Opening Sequence

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Sun Is Also a Star | ShotOnWhat?

First Assistant Camera: "a" Camera

The Sun Is Also a Star (2019)

Directed by: Ry Russo-Young

Cinematography by: Autumn Durald Arkapaw

Edited by: Joe Landauer

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Irishman | ShotOnWhat?

"b" Camera First Assistant

The Irishman (2019)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Editing System: Lightworks Editing System

Captain Phillips | ShotOnWhat?

First Assistant Camera: "c" Camera, Virginia

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Man on a Ledge | ShotOnWhat?

Key Second Assistant Camera

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Men in Black 3 | ShotOnWhat?

First Assistant Camera: Second Unit

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Justin Bieber: Never Say Never | ShotOnWhat?

First Assistant Camera

Justin Bieber: Never Say Never (2011)

Directed by: Jon M. Chu

Cinematography by: Reed Smoot

Edited by: Jay Cassidy, Jillian Moul, Avi Youabian

Cameras: ARRI ALEXA Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera

Young Adult | ShotOnWhat?

Second Assistant Camera: "b" Camera

Young Adult (2011)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

The Music Never Stopped | ShotOnWhat?

First Assistant Camera

The Music Never Stopped (2011)

Directed by: Jim Kohlberg

Cinematography by: Stephen Kazmierski

Edited by: Keith Reamer

Fast Five | ShotOnWhat?

Key Second Assistant Camera: Second Unit

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Romantics | ShotOnWhat?

Second Assistant Camera: "b" Camera

The Romantics (2010)

Directed by: Galt Niederhoffer

Cinematography by: Sam Levy

Edited by: Jacob Craycroft

Salt | ShotOnWhat?

Key Second Assistant Camera: Second Unit

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Morning Glory | ShotOnWhat?

Second Assistant: "A" Camera

Morning Glory (2010)

Directed by: Roger Michell

Cinematography by: Alwin H. Küchler

Edited by: Dan Farrell, Nick Moore, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Other Guys | ShotOnWhat?

Key Second Assistant Camera: Second Unit

The Other Guys (2010)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

When in Rome | ShotOnWhat?

Second Assistant Camera

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Taking Woodstock | ShotOnWhat?

Second Assistant Camera: "a" Camera

Taking Woodstock (2009)

Directed by: Ang Lee

Cinematography by: Eric Gautier

Edited by: Tim Squyres

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Confessions of a Shopaholic | ShotOnWhat?

Second Assistant Camera: "a" Camera: Re-shoots

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

What Doesn't Kill You | ShotOnWhat?

Key Second Assistant Camera

What Doesn't Kill You (2008)

Directed by: Brian Goodman

Cinematography by: Christopher Norr

Edited by: Robert Hoffman

Into the Wild | ShotOnWhat?

Second Assistant Camera: "a" Camera

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

A Guide to Recognizing Your Saints | ShotOnWhat?

Second Assistant Camera

A Guide to Recognizing Your Saints (2006)

Directed by: Dito Montiel

Cinematography by: Eric Gautier

Edited by: Jake Pushinsky, Christopher Tellefsen

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hottest State | ShotOnWhat?

Second Assistant Camera

The Hottest State (2006)

Directed by: Ethan Hawke

Cinematography by: Christopher Norr

Edited by: Adriana Pacheco

A Crime | ShotOnWhat?

Assistant Camera

A Crime (2006)

Directed by: Manuel Pradal

Cinematography by: Giorgos Arvanitis

Edited by: Jennifer Augé

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Inside Man | ShotOnWhat?

Assistant Camera

Inside Man (2006)

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Shooting Livien | ShotOnWhat?

Assistant Camera

Shooting Livien (2005)

Directed by: Rebecca Cook

Cinematography by: Harlan Bosmajian

Edited by: Paul Zucker

Block Party | ShotOnWhat?

Assistant Camera

Dave Chappelle's Block Party (2005)

Directed by: Michel Gondry

Cinematography by: Ellen Kuras

Edited by: Jeff Buchanan, Sarah Flack, Jamie Kirkpatrick

Keane | ShotOnWhat?

Second Assistant Camera: Additional Photography

Keane (2004)

Directed by: Lodge Kerrigan

Cinematography by: John Foster

Edited by: Andrew Hafitz

Second Best | ShotOnWhat?

Assistant Camera: Second Unit

Second Best (2004)

Directed by: Eric Weber

Cinematography by: Christopher Norr

Edited by: Craig Cobb

Saving Face | ShotOnWhat?

Camera Loader

Saving Face (2004)

Directed by: Alice Wu

Cinematography by: Harlan Bosmajian

Edited by: Susan Graef, Sabine Hoffman

Maria Full of Grace | ShotOnWhat?

Second Assistant Camera: New York

Maria Full of Grace (2004)

Directed by: Joshua Marston

Cinematography by: Jim Denault

Edited by: Anne McCabe, Lee Percy

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

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