Sound Mixer
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Sound Mixer
Parental Guidance (2012)
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Production Sound Mixer
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Production Sound Mixer
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Sound Mixer
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Production Sound Mixer
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Sound Mixer
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Sound Mixer
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Production Sound Mixer
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Sound Mixer
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Sound Mixer
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Sound
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Production Sound Mixer
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Sound Mixer
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Sound Recordist
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Sound Mixer
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Sound Mixer
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Production Sound
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Sound Mixer
Jack the Bear (1993)
Directed by: Marshall Herskovitz
Cinematography by: Fred Murphy
Edited by: Steven Rosenblum
Production Sound
Robin Hood: Men in Tights (1993)
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Sound Mixer
The Vanishing (1993)
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Sound Mixer
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Sound Mixer
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Production Sound Mixer / Sound
Everybody's All-American (1988)
Directed by: Taylor Hackford
Cinematography by: Stephen Goldblatt
Edited by: Don Zimmerman
Sound Mixer
Memories of Me (1988)
Directed by: Henry Winkler
Cinematography by: Andrew Dintenfass
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Production Sound Mixer
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Production Sound
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Production Sound
Tin Men (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Production Sound
8 Million Ways to Die (1986)
Directed by: Hal Ashby
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Production Sound Mixer
Creator (1985)
Directed by: Ivan Passer
Cinematography by: Robbie Greenberg
Edited by: Richard Chew
Production Sound
Sweet Dreams (1985)
Directed by: Karel Reisz
Cinematography by: Robbie Greenberg
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Production Sound Mixer
The Slugger's Wife (1985)
Directed by: Hal Ashby
Cinematography by: Caleb Deschanel
Production Sound
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Sound Mixer
Table for Five (1983)
Directed by: Robert Lieberman
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Production Sound Mixer
Let's Spend the Night Together (1982)
Directed by: Hal Ashby
Edited by: Lisa Day
Sound Mixer
An Officer and a Gentleman (1982)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Edited by: Peter Zinner
Production Sound Mixer
Nine to Five (1980)
Directed by: Colin Higgins
Cinematography by: Reynaldo Villalobos
Edited by: Pembroke J. Herring
Cameras: Panavision Cameras
Production Sound Mixer
Being There (1979)
Directed by: Hal Ashby
Cinematography by: Caleb Deschanel
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Sound Mixer
Foul Play (1978)
Directed by: Colin Higgins
Cinematography by: David M. Walsh
Edited by: Pembroke J. Herring
Sound Mixer
Coming Home (1978)
Directed by: Hal Ashby
Cinematography by: Haskell Wexler
Edited by: Don Zimmerman
Sound Consultant
Bound for Glory (1976)
Directed by: Hal Ashby
Cinematography by: Haskell Wexler
Lenses: Panavision Lenses
Sound Mixer
The Four Deuces (1975)
Directed by: William H. Bushnell
Cinematography by: Stephen M. Katz
Edited by: Aaron Stell
