Re-recording Mixer
Slender Man (2018)
Directed by: Sylvain White
Cinematography by: Luca Del Puppo
Edited by: Jake York
Cameras: Sony PMW-F55 Camera, Sony α7S II Camera
Supervising Sound Designer / Supervising Sound Editor, Supervising Sound Editor & Designer
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Re-recording Mixer
The Forest (2016)
Directed by: Jason Zada
Cinematography by: Mattias Troelstrup
Edited by: Jim Flynn
Cameras: ARRI ALEXA XT Plus Camera
Supervising Sound Editor
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Re-recording Mixer / Supervising Sound Editor
Runner Runner (2013)
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Sound Designer
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Supervising Sound Editor
Mardi Gras: Spring Break (2011)
Directed by: Phil Dornfeld
Cinematography by: Thomas E. Ackerman
Edited by: Mark Scheib
Re-recording Mixer / Supervising Sound Editor
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Re-recording Mixer / Supervising Sound Editor
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Supervising Sound Editor / Supervising Sound Mixer
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Re-recording Mixer / Supervising Sound Editor
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer / Supervising Sound Editor
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Re-recording Mixer / Supervising Sound Editor
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Re-recording Mixer / Supervising Sound Editor
Surf's Up (2007)
Re-recording Mixer
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Sound Designer
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Sound Effects Editor
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Sound Designer
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Sound Designer
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Re-recording Mixer / Supervising Sound Editor
Eulogy (2004)
Directed by: Michael Clancy
Cinematography by: Michael Chapman
Sound Designer
Kung Fu Hustle (2004)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Sound Editor
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Supervising Sound Editor
Darkness Falls (2003)
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Sound Designer
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Sound Designer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Editor
Emmett's Mark (2002)
Directed by: Keith Snyder
Cinematography by: Lawrence Sher
Edited by: Caroline Ross
Cameras: Aaton 35 I Camera, ARRIFLEX 535 B Camera
Sound Effects Editor
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Sound Effects Editor
Not Another Teen Movie (2001)
Directed by: Joel Gallen
Cinematography by: Reynaldo Villalobos
Edited by: Steve Welch
Supervising Sound Editor
The Forsaken (2001)
Directed by: J.S. Cardone
Cinematography by: Steven Bernstein
Edited by: Norman Buckley
Sound Effects Editor
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Sound Effects Editor
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Sound Editor
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Sound Effects Editor
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Sound Effects Editor
Can't Hardly Wait (1998)
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Sound Designer
Double Team (1997)
Directed by: Hark Tsui
Cinematography by: Peter Pau
Edited by: Bill Pankow
Lenses: Angenieux Lenses, Zeiss Lenses
Sound Effects Editor
Robinson Crusoe (1997)
Cinematography by: David Connell
Edited by: Sue Blainey, Richard Bracken, Tod Scott Brody, Gregg Featherman, Keith Reamer, Kevin Stitt, David Zieff
Sound Effects Editor
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Sound Mixer
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Sound Editor
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Sound Editor
The Juror (1996)
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Sound Editor
High School High (1996)
Directed by: Hart Bochner
Cinematography by: Vernon Layton
Edited by: James R. Symons
Sound Effects Editor
Bottle Rocket (1996)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Sound Effects Editor
The Net (1995)
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Sound Effects Editor
The Quick and the Dead (1995)
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Sound Editor
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Sound Effects Editor
Blankman (1994)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Sound Effects Editor
Cops and Robbersons (1994)
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Sound Effects Editor
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Sound Effects Editor
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Sound Editor
Poetic Justice (1993)
Directed by: John Singleton
Cinematography by: Peter Lyons Collister
Edited by: Bruce Cannon
