Colorist
'Vikings' Episode #6.18 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Colorist
'Vikings' Episode #6.19 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Colorist
'Vikings' Episode #6.20 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Colorist
'Vikings' Episode #6.11 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Colorist
'Vikings' Episode #6.10 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Colorist
'Vikings' Episode #6.8 (2019)
Directed by: Katheryn Winnick
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Colorist
'Vikings' Episode #6.7 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Colorist
'Vikings' Episode #6.6 (2019)
Directed by: David Frazee
Cinematography by: Owen McPolin
Edited by: Dan Briceno
Colorist
'Vikings' Episode #6.3 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Colorist
'Vikings' Episode #6.2 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Colorist
'Vikings' Episode #6.1 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Colorist
Ready or Not (2019)
Movie
Cinematography by: Brett Jutkiewicz
Edited by: Terel Gibson
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke 5/i Lenses
Di Colourist
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colorist
Risen (2016)
Directed by: Kevin Reynolds
Cinematography by: Lorenzo Senatore
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
Digital Intermediate Colourist
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Digital Colorist
'Penny Dreadful' And They Were Enemies (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colorist
'Penny Dreadful' And Hell Itself My Only Foe (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Geoff Ashenhurst
Digital Colourist
'Penny Dreadful' Memento Mori (2015)
Directed by: Kari Skogland
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Digital Colorist
'Penny Dreadful' Little Scorpion (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Digital Colorist
'Penny Dreadful' Glorious Horrors (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Digital Colourist
'Penny Dreadful' Above the Vaulted Sky (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Aaron Marshall
Digital Colourist
'Penny Dreadful' Evil Spirits in Heavenly Places (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Digital Colourist
'Penny Dreadful' The Nightcomers (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Digital Colourist
'Penny Dreadful' Verbis Diablo (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Digital Colorist
'Penny Dreadful' Fresh Hell (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Digital Colourist
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Colourist
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Colourist
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Colourist
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Colourist
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Colourist
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colorist / Digital Colourist - 10 Episodes, 2015
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Digital Colourist
'Vikings' The Lord's Prayer (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Digital Colourist
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Boneless (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Digital Colourist
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Unforgiven (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Digital Colourist
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Eye for an Eye (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Digital Colourist
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Colourist
'Vikings' Invasion (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Digital Colourist
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Intermediate Colourist
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Digital Intermediate Colorist
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Colorist - 20 Episodes, 2019, Colorist - 29 Episodes, 2013-2020, Digital Colourist / Colourist - 29 Episodes, 2013-2015
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Colourist / Digital Colourist
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Colourist / Digital Colourist
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Colourist / Digital Colourist
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Colourist / Digital Colourist
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Colourist / Digital Colourist
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Colourist / Digital Colourist
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Colourist / Digital Colourist
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Colourist / Digital Colourist
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Colourist / Digital Colourist
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Digital Intermediate Colourist
Columbus Circle (2012)
Directed by: George Gallo
Cinematography by: Anastas N. Michos
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Intermediate Colorist, Digital Intermediate Colourist
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Digital Intermediate Colorist: Deluxe EFilm Toronto
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Digital Intermediate Colorist
Barney's Version (2010)
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
Digital Intermediate Colourist
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Digital Intermediate Colourist
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Digital Intermediate Colorist
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Digital Intermediate Colorist, Digital Intermediate Colourist
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Digital Intermediate Colourist
Middle Men (2009)
Directed by: George Gallo
Cinematography by: Lukas Ettlin
Edited by: Malcolm Campbell
Digital Intermediate Colourist
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Digital Intermediate Colourist
Suck (2009)
Directed by: Rob Stefaniuk
Cinematography by: D. Gregor Hagey
Edited by: Michele Conroy
Digital Intermediate Colourist
I Hate Valentine's Day (2009)
Directed by: Nia Vardalos
Cinematography by: Brian Pryzpek
Digital Intermediate Colourist
Sin Nombre (2009)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Opticals Digital Intermediate Colorist
Adoration (2008)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Digital Intermediate Colourist
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist, Digital Intermediate Colourist
Bangkok Dangerous (2008)
Cinematography by: Decha Srimantra
Digital Intermediate Colourist
Inconceivable (2008)
Directed by: Mary McGuckian
Cinematography by: Mark Wolf
Supervising Digital Intermediate Colorist: Deluxe EFilm Toronto
Repo! The Genetic Opera (2008)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Edited by: Harvey Rosenstock
Cameras: Panavision Genesis Camera
Digital Intermediate Colourist
The Burrowers (2008)
Directed by: J.T. Petty
Cinematography by: Phil Parmet
Cameras: Panavision Cameras
Digital Intermediate Colorist
Saw V (2008)
Directed by: David Hackl
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Digital Intermediate Colorist
Fugitive Pieces (2007)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Wiebke von Carolsfeld
Digital Intermediate Colorist
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colorist
Pan's Labyrinth (2006)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Digital Intermediate Colorist
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Supervising Digital Intermediate Colorist
Saw III (2006)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Managing Partner: Mr. X
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Color Timer
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
HD Colourist
Hellraiser: Hellworld (2005)
Directed by: Rick Bota
Cinematography by: Gabriel Kosuth
Edited by: Anthony Adler
Supervising Digital Intermediate Colorist
Saw II (2005)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
HD Colourist
Hellraiser: Deader (2005)
Directed by: Rick Bota
Cinematography by: Vivi Dragan Vasile
Edited by: Anthony Adler
Colorist: HDTV
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Film Scanning Operator
Koirankynnen leikkaaja (2004)
Directed by: Markku Pölönen
Cinematography by: Kari Sohlberg
Edited by: Jukka Nykänen
HD Colourist
The Beautiful Country (2004)
Directed by: Hans Petter Moland
Cinematography by: Stuart Dryburgh
Edited by: Wibecke Rønseth
Colourist
Keane (2004)
Directed by: Lodge Kerrigan
Cinematography by: John Foster
Edited by: Andrew Hafitz
Colorist: High Definition, HD Colourist
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Senior Colourist
Sibelius (2003)
Directed by: Timo Koivusalo
Cinematography by: Pertti Mutanen
Cameras: ARRI Cameras
