Composer Assistant / Music Programmer
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Music Programmer / Composer Assistant
Guillermo del Toro's Pinocchio (2022)
Movie
Cinematography by: Frank Passingham
Cameras: Canon EOS-1D Mark IV Camera
Composer Assistant / Music Programmer
The French Dispatch (2021)
Movie
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Lenses: Cooke S4/i Lenses
Composer Assistant / Music Programmer
An Officer and a Spy (2019)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Cameras: Sony CineAlta VENICE Camera
Composer Assistant / Music Programming
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Composer Assistant / Programmer
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Assistant Composer / Programmer
Suburbicon (2017)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Cameras: ARRI ALEXA XT Plus Camera
Composer Assistant / Programmer
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Composer Assistant , Programmer
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Music Programmer
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Composer Assistant / Synth Programming
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Composer Assistant / Programmer
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Composer Assistant / Score Programmer
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Composer Assistant / Music Programmer
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
Composer Assistant / Music Programmer
Venus in Fur (2013)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Cameras: Sony CineAlta F65 Camera
Music Programmer
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Music Programmer
Zulu (2013)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Cameras: ARRI ALEXA Studio Camera
Music Programmer
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Composer Assistant / Score Programmer
Rise of the Guardians (2012)
Directed by: Peter Ramsey
Edited by: Joyce Arrastia
Music Programmer
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
