Digital Compositor
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Lead Compositor: Cinesite
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Compositor: Cinesite
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Compositor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Artist
Grace of Monaco (2014)
Directed by: Olivier Dahan
Cinematography by: Eric Gautier
Edited by: Olivier Gajan
Digital Artist
The French Minister (2013)
Directed by: Bertrand Tavernier
Cinematography by: Jérôme Alméras
Edited by: Guy Lecorne
Cameras: ARRI ALEXA Plus Camera
Digital Artist
Zulu (2013)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Cameras: ARRI ALEXA Studio Camera
Visual Effects Supervisor
La grande boucle (2013)
Directed by: Laurent Tuel
Cinematography by: Gilles Porte
Edited by: Antoine Vareille
Cameras: Red Epic Camera
Visual Effects Supervisor
Blood Ties (2013)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervisor
En solitaire (2013)
Directed by: Christophe Offenstein
Cinematography by: Guillaume Schiffman
Cameras: Red Epic Camera, Red Scarlet Camera
Digital Compositor
Rue Mandar (2012)
Directed by: Idit Cebula
Cinematography by: Rémy Chevrin
Edited by: Célia Lafitedupont
Cameras: Red Epic Camera
Digital Compositor
Nous York (2012)
Cinematography by: Stéphane Le Parc
Edited by: Benjamin Weill
Cameras: ARRI ALEXA Camera
Visual Effects Artist
Un bonheur n'arrive jamais seul (2012)
Directed by: James Huth
Cinematography by: Stéphane Le Parc
Edited by: Joëlle Hache
Digital Effects Artist: Rodeo FX
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Compositor: Modus FX
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor: Modus FX
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Digital Compositor
Les aventures extraordinaires d'Adèle Blanc-Sec (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Compositing Artist: Duran Duboi Paris
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Visual Effects Supervisor
Coco Before Chanel (2009)
Directed by: Anne Fontaine
Cinematography by: Christophe Beaucarne
Edited by: Luc Barnier
Visual Effects Supervisor
Micmacs à tire-larigot (2009)
Directed by: Jean-Pierre Jeunet
Cinematography by: Tetsuo Nagata
Edited by: Hervé Schneid
Visual Effects
District 13: Ultimatum (2009)
Directed by: Patrick Alessandrin
Cinematography by: Jean-François Hensgens
Digital Effects Artist
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Visual Effects Supervisor
Mesrine Part 1: Killer Instinct (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Visual Effects Supervisor
Le deuxième souffle (2007)
Directed by: Alain Corneau
Cinematography by: Yves Angelo
Edited by: Marie-Josèphe Yoyotte
Digital Compositor
The Last Legion (2007)
Directed by: Doug Lefler
Cinematography by: Marco Pontecorvo
Edited by: Simon Cozens
Digital Compositor
The Fall (2006)
Directed by: Tarsem Singh
Cinematography by: Colin Watkinson
Edited by: Robert Duffy
Digital Artist
March of the Penguins (2005)
Directed by: Luc Jacquet
Edited by: Sabine Emiliani
Cameras: Aaton XTR Prod Camera
Digital Compositor
A Very Long Engagement (2004)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Digital Artist
Immortal (2004)
Directed by: Enki Bilal
Cinematography by: Pascal Gennesseaux
Edited by: Véronique Parnet
Digital Compositor
7 ans de mariage (2003)
Directed by: Didier Bourdon
Cinematography by: Pascal Caubère
Digital Compositor
Bon voyage (2003)
Directed by: Jean-Paul Rappeneau
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
Cameras: Panavision Cameras
Digital Compositor
Belphegor: Phantom of the Louvre (2001)
Directed by: Jean-Paul Salomé
Cinematography by: Jean-François Robin
Edited by: Sylvie Landra
Digital Compositor
Amélie (2001)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
Wasabi (2001)
Directed by: Gérard Krawczyk
Cinematography by: Gérard Sterin
Edited by: Yann Hervé
Digital Compositor
La fille sur le pont (1999)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Digital Compositor
The Messenger: The Story of Joan of Arc (1999)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Digital Compositor
Asterix and Obelix vs. Caesar (1999)
Directed by: Claude Zidi
Cinematography by: Tony Pierce-Roberts
Cameras: Panavision Cameras
Digital Compositor
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Restoration - Restored Version
Army of Shadows (1969)
Directed by: Jean-Pierre Melville
Edited by: Françoise Bonnot
