Lizzi Lawson Zeiss

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Napoleon | ShotOnWhat?

Crowd Hair & Makeup Artist

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Suspiria | ShotOnWhat?

Hair Stylist: Berlin

Suspiria (2018)

Directed by: Luca Guadagnino

Cinematography by: Sayombhu Mukdeeprom

Edited by: Walter Fasano

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Blade Runner 2049 | ShotOnWhat?

Hair Supervisor

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The Huntsman: Winter's War | ShotOnWhat?

Hair Dresser

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Pan | ShotOnWhat?

Makeup Artist

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Thor: The Dark World | ShotOnWhat?

Hair Stylist

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Bel Ami | ShotOnWhat?

Hair Stylist

Bel Ami (2012)

Directed by: Declan Donnellan, Nick Ormerod

Cinematography by: Stefano Falivene

Edited by: Gavin Buckley, Masahiro Hirakubo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Your Highness | ShotOnWhat?

Hair Stylist: Natalie Portman / Makeup Artist: Natalie Portman

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

W.E. | ShotOnWhat?

Hair Artist

W.E. (2011)

Directed by: Madonna

Cinematography by: Hagen Bogdanski

Edited by: Danny Tull

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses: Zeiss Ultra Prime Lenses

Tinker Tailor Soldier Spy | ShotOnWhat?

Key Makeup Artist: Budapest

Tinker Tailor Soldier Spy (2011)

Directed by: Tomas Alfredson

Cinematography by: Hoyte Van Hoytema

Edited by: Dino Jonsäter

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Clash of the Titans | ShotOnWhat?

Crowd Hair Stylist

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Centurion | ShotOnWhat?

Makeup Artist

Centurion (2010)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Chris Gill

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Lightworks Editing System

The Eclipse | ShotOnWhat?

Makeup Designer

The Eclipse (2009)

Directed by: Conor McPherson

Cinematography by: Ivan McCullough

Edited by: Emer Reynolds

The Boys Are Back | ShotOnWhat?

Hair Stylist: United Kingdom

The Boys Are Back (2009)

Directed by: Scott Hicks

Cinematography by: Greig Fraser

Edited by: Scott Gray

Defiance | ShotOnWhat?

Key Hair Stylist

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Edge of Love | ShotOnWhat?

Crowd Makeup Supervisor: London

The Edge of Love (2008)

Directed by: John Maybury

Cinematography by: Jonathan Freeman

Edited by: Emma E. Hickox

Telstar: The Joe Meek Story | ShotOnWhat?

Hair Designer

Telstar: The Joe Meek Story (2008)

Directed by: Nick Moran

Cinematography by: Peter Wignall

Edited by: Alex Marsh

The Phantom of the Opera | ShotOnWhat?

Makeup Artist

The Phantom of the Opera (2004)

Directed by: Joel Schumacher

Cinematography by: John Mathieson

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Blackadder Back & Forth | ShotOnWhat?

Makeup Artist

Blackadder Back & Forth (1999)

Directed by: Paul Weiland

Cinematography by: Tony Pierce-Roberts

Edited by: Guy Bensley

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