Tony Leonardi

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Standby Painter

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Standby Painter

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Weather Man | ShotOnWhat?

On-set Painter

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Suspect Zero | ShotOnWhat?

Conceptual Artist

Suspect Zero (2004)

Directed by: E. Elias Merhige

Cinematography by: Michael Chapman

Edited by: John Gilroy, Robert K. Lambert

The Terminal | ShotOnWhat?

Stand-by Painter

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Ring | ShotOnWhat?

Stand-by Painter

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Minority Report | ShotOnWhat?

Stand-by Painter

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

A.I. Artificial Intelligence | ShotOnWhat?

Stand-by Painter

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

What Lies Beneath | ShotOnWhat?

Stand-by Painter

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Cast Away | ShotOnWhat?

Stand-by Painter

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Stand-by Painter

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mars Attacks! | ShotOnWhat?

Stand-by Painter

Mars Attacks! (1996)

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Apollo 13 | ShotOnWhat?

Camera Scenic Artist

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Shadow | ShotOnWhat?

Stand-by Painter

The Shadow (1994)

Directed by: Russell Mulcahy

Cinematography by: Stephen H. Burum

Edited by: Peter Honess

Jurassic Park | ShotOnWhat?

Stand-by Painter

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Dracula | ShotOnWhat?

Stand-by Painter

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Hook | ShotOnWhat?

Stand-by Painter

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Days of Thunder | ShotOnWhat?

Stand-by Painter

Days of Thunder (1990)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pretty Woman | ShotOnWhat?

Stand-by Painter

Pretty Woman (1990)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Raja Gosnell, Priscilla Nedd-Friendly

Three Fugitives | ShotOnWhat?

Standby Painter

Three Fugitives (1989)

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Red Heat | ShotOnWhat?

Standby Painter

Red Heat (1988)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Real Men | ShotOnWhat?

Scenic Artist

Real Men (1987)

Directed by: Dennis Feldman

Cinematography by: John A. Alonzo

Edited by: Malcolm Campbell, Glenn Farr

Overboard | ShotOnWhat?

Stand-by Painter

Overboard (1987)

Directed by: Garry Marshall

Cinematography by: John A. Alonzo

Edited by: Sonny Baskin, Dov Hoenig

Cameras: Panavision Cameras

Ruthless People | ShotOnWhat?

Stand-by Painter

Ruthless People (1986)

Directed by: Jim Abrahams, David Zucker, Jerry Zucker

Cinematography by: Jan de Bont

Edited by: Gib Jaffe, Arthur Schmidt

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