Paul Rigby

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The Hustle | ShotOnWhat?

Carpenter

The Hustle (2019)

Directed by: Chris Addison

Cinematography by: Michael Coulter

Edited by: Anthony Boys

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens

Overlord | ShotOnWhat?

Carpenter

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Annihilation | ShotOnWhat?

Carpenter

Annihilation (2018)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Barney Pilling

Cameras: Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Paddington 2 | ShotOnWhat?

Carpenter

Paddington 2 (2017)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Florence Foster Jenkins | ShotOnWhat?

Carpenter

Florence Foster Jenkins (2016)

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

Ex Machina | ShotOnWhat?

Carpenter

Ex Machina (2014)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

Maleficent | ShotOnWhat?

Carpenter

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

The Two Faces of January | ShotOnWhat?

Carpenter

The Two Faces of January (2014)

Directed by: Hossein Amini

Cinematography by: Marcel Zyskind

Edited by: Nicolas Chaudeurge, Jon Harris

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk C-Series Lenses

Guardians of the Galaxy | ShotOnWhat?

Carpenter

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Rush | ShotOnWhat?

Stagehand: Race Unit Grip Crew

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Austenland | ShotOnWhat?

Carpenter

Austenland (2013)

Directed by: Jerusha Hess

Cinematography by: Larry Smith

Edited by: Nick Fenton

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Byzantium | ShotOnWhat?

Carpenter

Byzantium (2012)

Directed by: Neil Jordan

Cinematography by: Sean Bobbitt

Edited by: Tony Lawson

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

The Iron Lady | ShotOnWhat?

Stage Hand

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Deep Blue Sea | ShotOnWhat?

Stagehand

The Deep Blue Sea (2011)

Directed by: Terence Davies

Cinematography by: Florian Hoffmeister

Edited by: David Charap

Chatroom | ShotOnWhat?

Stagehand

Chatroom (2010)

Directed by: Hideo Nakata

Cinematography by: Benoît Delhomme

Edited by: Masahiro Hirakubo

Tamara Drewe | ShotOnWhat?

Carpenter

Tamara Drewe (2010)

Directed by: Stephen Frears

Cinematography by: Ben Davis

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Never Let Me Go | ShotOnWhat?

Stagehand

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

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