Visual Effects Associate Producer / Visual Effects Associate Producer: Additional Photography
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Visual Effects Production Supervisor
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Post-production Supervisor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Senior Visual Effects Coordinator
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Additional Visual Effects Coordinator
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects Producer
The Forbidden Kingdom (2008)
Directed by: Rob Minkoff
Cinematography by: Peter Pau
Edited by: Eric Strand
Cameras: Panavision Genesis Camera
Visual Effects Producer
American Pastime (2007)
Directed by: Desmond Nakano
Cinematography by: Matthew Williams
Edited by: Mark Yoshikawa
Cameras: Moviecam Compact Camera
Matte Painter: Momentum VFX
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Visual Effects Producer: Frantic Films
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Line Producer
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Visual Effects Producer: R!OT Pictures
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Visual Effects Producer: R!OT Pictures
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Visual Effects Associate Producer
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Coordinator
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Coordinator
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Lead Coordinator
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Visual Effects Coordinator
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland