Rob Seager

14 Titles

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Rush | ShotOnWhat?

Production Accountant

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

360 | ShotOnWhat?

Location Accountant

360 (2011)

Directed by: Fernando Meirelles

Cinematography by: Adriano Goldman

Edited by: Daniel Rezende

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

Post Production Accountant

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Wolfman | ShotOnWhat?

Assistant Accountant

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mamma Mia! | ShotOnWhat?

Post-production Accountant

Mamma Mia! (2008)

Directed by: Phyllida Lloyd

Cinematography by: Haris Zambarloukos

Edited by: Lesley Walker

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

United 93 | ShotOnWhat?

Assistant Accountant

United 93 (2006)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Clare Douglas, Richard Pearson, Christopher Rouse

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Doom | ShotOnWhat?

First Assistant Accountant

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

Enduring Love | ShotOnWhat?

Assistant Production Accountant

Enduring Love (2004)

Directed by: Roger Michell

Cinematography by: Haris Zambarloukos

Edited by: Nicolas Gaster

Double zéro | ShotOnWhat?

First Assistant Accountant

Double zéro (2004)

Directed by: Gérard Pirès

Cinematography by: Denis Rouden

Edited by: Véronique Lange

Code 46 | ShotOnWhat?

Assistant Accountant

Code 46 (2003)

Directed by: Michael Winterbottom

Cinematography by: Alwin H. Küchler, Marcel Zyskind

Edited by: Peter Christelis

Blade II | ShotOnWhat?

First Assistant Accountant

Blade II (2002)

Directed by: Guillermo del Toro

Cinematography by: Gabriel Beristain

Edited by: Peter Amundson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Red Planet | ShotOnWhat?

Location Accountant

Red Planet (2000)

Directed by: Antony Hoffman

Cinematography by: Peter Suschitzky

Edited by: Robert K. Lambert, Dallas Puett

RKO 281 | ShotOnWhat?

Assistant Accountant

RKO 281 (1999)

Television Movie

Directed by: Benjamin Ross

Cinematography by: Mike Southon

Edited by: Alex Mackie

The Avengers | ShotOnWhat?

Assistant Accountant

The Avengers (1998)

Directed by: Jeremiah S. Chechik

Cinematography by: Roger Pratt

Edited by: Mick Audsley

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