Score Mixer / Supervising Music Editor
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Score Mixer / Supervising Music Editor
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Music Editor
'Weeds' Mrs. Botwin's Neighborhood (2006)
Directed by: Craig Zisk
Cinematography by: Michael Trim
Edited by: David Helfand
Music Editor
'Weeds' Must Find Toes (2006)
Directed by: Chris Long
Cinematography by: Michael Trim
Edited by: David Helfand
Electronic Score Engineer / Electronic Scoring Mixer
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Additional Music Mixer
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Music Editor
'Weeds' You Can't Miss the Bear (2005)
Directed by: Brian Dannelly
Cinematography by: Bobby Bukowski
Edited by: Pamela Martin
Music Editor
'Weeds' Good Shit Lollipop (2005)
Directed by: Craig Zisk
Cinematography by: Bobby Bukowski
Edited by: David Helfand
Music Editor
'Weeds' Lude Awakening (2005)
Directed by: Lee Rose
Cinematography by: Bobby Bukowski
Edited by: David Helfand
Music Editor - 5 Episodes, 2005-2006
Weeds (2005)
Directed by: Craig Zisk, Michael Trim, Scott Ellis, Julie Anne Robinson, Eric Jewett, Paul Feig, Lev L. Spiro, Tucker Gates, Brian Dannelly, Perry Lang, Ernest R. Dickerson, Michael Pressman, Robert Berlinger, Lee Rose, Arlene Sanford, Burr Steers, Bryan Gordon, Chris Long, Christopher Misiano, Martha Coolidge, Randy Zisk, Paris Barclay, Adam Bernstein, David Steinberg, Lesli Linka Glatter, Jeremy Podeswa, Bethany Rooney, Matt Shakman, Tate Donovan, Michael Uppendahl, David Warren, Phil Abraham, Uta Briesewitz
Edited by: David Helfand, William Turro, Scott J. Wallace, Lisa Bromwell, Debra F. Simone, Brian Barr, Pamela Martin, Lance Luckey, W. Kale Whorton
Cameras: Sony CineAlta F23 Camera
Scoring Mixer
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Electronic Scoring Mixer
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Electronic Score Engineer
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Electronic Scoring Mixer
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Electronic Scoring Mixer
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Music Scoring Engineer
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Electronic Scoring Mixer / Music Editor
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Electronic Scoring Mixer
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Additional Score Recording Engineer
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Electronic Scoring Mixer
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Scoring Mixer
Most (2003)
Directed by: Bobby Garabedian
Cinematography by: Michael FitzMaurice
Cameras: Panavision Cameras
Music Mixer
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Electronic Scoring Mixer
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Electronic Scoring Mixer
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Electronic Scoring Mixer / Music Mixer
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Electronic Score Engineer
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Electronic Scoring Mixer
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Electronic Scoring Mixer
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Music Mixer
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Electronic Scoring Mixer
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Electronic Scoring Mixer
See Spot Run (2001)
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Music Editor
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Electronic Scoring Mixer
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Scoring Mixer
All I Wanna Do (1998)
Directed by: Sarah Kernochan
Cinematography by: Tony C. Jannelli
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Mixer
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Electronic Scoring Mixer
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
