Makeup Artist
'Jane the Virgin' Chapter Seventy-One (2017)
Directed by: Micah Schraft
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Makeup Artist
'Jane the Virgin' Chapter Seventy (2017)
Directed by: Melanie Mayron
Cinematography by: Joe Gallo
Makeup Artist
'Jane the Virgin' Chapter Sixty-Nine (2017)
Directed by: Stuart Gillard
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Makeup Artist
'Jane the Virgin' Chapter Sixty-Seven (2017)
Directed by: Fernando Sariñana
Cinematography by: Lowell Peterson
Makeup Artist
'Jane the Virgin' Chapter Sixty-Eight (2017)
Directed by: Gina Lamar
Cinematography by: Joe Gallo
Makeup Artist
'Jane the Virgin' Chapter Sixty-Five (2017)
Directed by: Brad Silberling
Cinematography by: Lowell Peterson
Makeup Artist
'Jane the Virgin' Chapter Sixty-Six (2017)
Directed by: Gina Lamar
Cinematography by: Joe Gallo
Edited by: Eric Lea
Key Makeup Artist - 1 Episode, 2016
Ice (2016)
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Makeup Artist - 7 Episodes, 2017
Jane the Virgin (2014)
Directed by: Gina Lamar, Melanie Mayron, Brad Silberling, Zetna Fuentes, Uta Briesewitz, Edward Ornelas, Anna Mastro, Jann Turner, Stuart Gillard, Joanna Kerns, Micah Schraft, Gina Rodriguez, Debbie Allen, Howard Deutch, Robert Luketic, Matthew Diamond, Fernando Sariñana, Eric Lea, Norman Buckley, Janice Cooke, Elodie Keene, Georgina Garcia Riedel, Eva Longoria, Jason Reilly, Justin Baldoni, Neema Barnette, Leo Zisman
Edited by: Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras: ARRI ALEXA Camera
Makeup Department Head
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Makeup Artist
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Key Makeup Artist
Beneath the Darkness (2011)
Directed by: Martin Guigui
Cinematography by: Massimo Zeri
Edited by: Eric Potter
Cameras: Panavision Panaflex Gold II Camera
Lenses: Panavision Lenses
Makeup Department Head
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Makeup Department Head
As Good as Dead (2010)
Directed by: Jonathan Mossek
Cinematography by: Frank Barrera
Special Makeup Effects Artist: Kevin Durand, Ryan Reynolds / Special Makeup Effects: Kevin Durand
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Makeup Department Head
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Makeup Artist
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Makeup Artist: Mr. Norton
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Makeup Artist: Edward Norton / Special Makeup Effects Artist
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Makeup Department Head
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Makeup Artist
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Key Makeup Artist
Down in the Valley (2005)
Directed by: David Jacobson
Cinematography by: Enrique Chediak
Key Makeup Artist
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Special Makeup Effects Artist
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Makeup Artist
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Key Makeup Artist
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Key Makeup Artist
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Makeup Artist
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Additional Hair Stylist / Additional Makeup Artist
Girl (1998)
Directed by: Jonathan Kahn
Cinematography by: Tami Reiker
Edited by: Gillian L. Hutshing
Hair Stylist / Special Makeup Effects Artist
American Perfekt (1997)
Directed by: Paul Chart
Cinematography by: William Wages
Edited by: Michael Ruscio
Makeup Department Head
Cyborg 3: The Recycler (1994)
Directed by: Michael Schroeder
Cinematography by: Phil Parmet
Edited by: Barry Zetlin
Special Makeup Effects
Hard Drive (1994)
Directed by: James Merendino
Cinematography by: Seo Mutarevic
Edited by: Ethan Holzman
Special Makeup Effects
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
