Color Grader
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Colorist
From the Land of the Moon (2016)
Directed by: Nicole Garcia
Cinematography by: Christophe Beaucarne
Edited by: Simon Jacquet
Cameras: Red Epic Dragon Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Colorist
La dernière leçon (2015)
Directed by: Pascale Pouzadoux
Cinematography by: Nicolas Brunet
Edited by: Sylvie Gadmer
Cameras: ARRI ALEXA XT Camera
Colorist
Les vacances du petit Nicolas (2014)
Directed by: Laurent Tirard
Cinematography by: Denis Rouden
Edited by: Valérie Deseine
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Colorist
Les souvenirs (2014)
Directed by: Jean-Paul Rouve
Cinematography by: Christophe Offenstein
Edited by: Christel Dewynter
Cameras: ARRI ALEXA Series Cameras
Digital Film Colorist
The French Minister (2013)
Directed by: Bertrand Tavernier
Cinematography by: Jérôme Alméras
Edited by: Guy Lecorne
Cameras: ARRI ALEXA Plus Camera
Digital Film Colorist
Zulu (2013)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Cameras: ARRI ALEXA Studio Camera
Digital Film Colorist
Blood Ties (2013)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Film Colorist
Un bonheur n'arrive jamais seul (2012)
Directed by: James Huth
Cinematography by: Stéphane Le Parc
Edited by: Joëlle Hache
Film Colorist
Nous York (2012)
Cinematography by: Stéphane Le Parc
Edited by: Benjamin Weill
Cameras: ARRI ALEXA Camera
Film Colorist
Maniac (2012)
Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Film Colorist
Et maintenant on va où? (2011)
Directed by: Nadine Labaki
Cinematography by: Christophe Offenstein
Edited by: Véronique Lange
Cameras: ARRI ALEXA Camera
Digital Color Timer: Duboi
The Lady (2011)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Digital Color Grader: Duboi
Carnage (2011)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Film Colorist
Day of the Falcon (2011)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Hervé Schneid
Color Timer
La brindille (2011)
Directed by: Emmanuelle Millet
Cinematography by: Antoine Héberlé
Cameras: Aaton Penelope Camera
Color Timer / Colorist
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Colorist
Arthur 3: la guerre des deux mondes (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Colorist
Les aventures extraordinaires d'Adèle Blanc-Sec (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Colorist
Les petits mouchoirs (2010)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Colorist
Le code a changé (2009)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: Moviecam Compact MK2 Camera
Colorist
Mensch (2009)
Directed by: Steve Suissa
Cinematography by: Jérôme Alméras
Edited by: Monica Coleman
Cameras: Red One Camera
Digital Colorist
Mr. Nobody (2009)
Directed by: Jaco Van Dormael
Cinematography by: Christophe Beaucarne
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Colorist
Mesrine Part 1: Killer Instinct (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Colorist
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Colorist
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Colorist
Room of Death (2007)
Directed by: Alfred Lot
Cinematography by: Jérôme Alméras
Edited by: Maryline Monthieux
Color Timer: Titles
Ce que mes yeux ont vu (2007)
Directed by: Laurent de Bartillat
Cinematography by: Jean-Marc Selva
Edited by: Tina Baz
Colorist
La Vie en Rose (2007)
Directed by: Olivier Dahan
Cinematography by: Tetsuo Nagata
Edited by: Richard Marizy
Colorist, Digital Color Grader
Bandidas (2006)
Cinematography by: Thierry Arbogast
Edited by: Frédéric Thoraval
Color Timer: L.T.C.
Arthur and the Invisibles (2006)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Colorist
Nuovomondo (2006)
Directed by: Emanuele Crialese
Cinematography by: Agnès Godard
Edited by: Maryline Monthieux
Color Timer
Dear Wendy (2005)
Directed by: Thomas Vinterberg
Cinematography by: Anthony Dod Mantle
Edited by: Mikkel E.G. Nielsen
Color Timer
The Beat That My Heart Skipped (2005)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Aaton 35-III Camera
Lenses: Cooke S4 Lenses
Color Timer
2046 (2004)
Directed by: Kar-Wai Wong
Edited by: William Chang
Cameras: Panavision Panaflex Gold II Camera
Assistant Color Timer
A Very Long Engagement (2004)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Color Timer
The Motorcycle Diaries (2004)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: Daniel Rezende
Cameras: Aaton 35-III Camera, Aaton XTR Prod Camera
Film Color Grader
Dogville (2003)
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Edited by: Molly Malene Stensgaard
Color Grading
The Dreamers (2003)
Directed by: Bernardo Bertolucci
Cinematography by: Fabio Cianchetti
Edited by: Jacopo Quadri
Color Timer: Post-production, Eclair Laboratories
De fem benspænd (2003)
Cinematography by: Dan Holmberg
Cameras: ARRI Cameras
Grader: Eclair Numerique
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
