Assistant: Mr. Downey
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Assistant: Mr. Downey
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Assistant: Mr. Downey, Driver: Robert Downey Jr.
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Assistant: Mr. Downey
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Assistant: Robert Downey Jr
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Assistant: Robert Downey Jr., Driver: Robert Downey Jr.
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Assistant To Robert Downey Jr
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Assistant: Mr. Downey
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Assistant To Robert Downey Jr.
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Assistant: Mr. Downey
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Assistant: Mr. Downey Jr.'s
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Driver: Mr. Downey Jr.
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Assistant: Mr. Downey Jr.
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Assistant: Mr. Downey Jr.
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Assistant: Mr. Downey
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Assistant: Robert Downey Jr.
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Assistant: Robert Downey Jr.
A Guide to Recognizing Your Saints (2006)
Directed by: Dito Montiel
Cinematography by: Eric Gautier
Assistant: Robert Downey Jr.
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Assistant/driver For Robert Downey Jr
Good Night, and Good Luck. (2005)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Assistant: Mr. Downey
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad