Robert C. Brooke

30 Titles

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Shazam! | ShotOnWhat?

Lead Scenic Artist

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

It | ShotOnWhat?

Lead Scenic Artist

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Molly's Game | ShotOnWhat?

Lead Scenic Artist

Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Suicide Squad | ShotOnWhat?

Lead Scenic Artist

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Crimson Peak | ShotOnWhat?

Lead Scenic Artist

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

RoboCop | ShotOnWhat?

Lead Scenic Artist

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

The Vow | ShotOnWhat?

Lead Scenic Artist

The Vow (2012)

Directed by: Michael Sucsy

Cinematography by: Rogier Stoffers

Edited by: Melissa Kent, Nancy Richardson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Lead Scenic Artist

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kick-Ass | ShotOnWhat?

Lead Scenic Artist

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Scott Pilgrim vs. the World | ShotOnWhat?

Breakaway Specialist

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

RED | ShotOnWhat?

Lead Scenic Artist

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Resident Evil: Afterlife | ShotOnWhat?

Lead Scenic Artist

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

The Incredible Hulk | ShotOnWhat?

Lead Scenic Artist

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Max Payne | ShotOnWhat?

Lead Scenic Artist

Max Payne (2008)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Killshot | ShotOnWhat?

Lead Scenic Artist

Killshot (2008)

Directed by: John Madden

Cinematography by: Caleb Deschanel

Edited by: Mick Audsley, Lisa Gunning

Mr. Magorium's Wonder Emporium | ShotOnWhat?

Lead Scenic Artist

Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Hairspray | ShotOnWhat?

Lead Scenic Artist

Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Dark Water | ShotOnWhat?

Lead Scenic Artist

Dark Water (2005)

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Get Rich or Die Tryin' | ShotOnWhat?

Lead Scenic Artist

Get Rich or Die Tryin' (2005)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

Welcome to Mooseport | ShotOnWhat?

Lead Scenic Artist

Welcome to Mooseport (2004)

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Bulletproof Monk | ShotOnWhat?

Lead Scenic Artist

Bulletproof Monk (2003)

Directed by: Paul Hunter

Cinematography by: Stefan Czapsky

Edited by: Robert K. Lambert

Chicago | ShotOnWhat?

Painter

Chicago (2002)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

Undercover Brother | ShotOnWhat?

Lead Scenic Artist

Undercover Brother (2002)

Directed by: Malcolm D. Lee

Cinematography by: Tom Priestley Jr.

Edited by: William Kerr

Driven | ShotOnWhat?

Lead Scenic Artist

Driven (2001)

Directed by: Renny Harlin

Cinematography by: Mauro Fiore

Edited by: Steve Gilson, Stuart Levy

Bait | ShotOnWhat?

Lead Scenic Artist

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

The Corruptor | ShotOnWhat?

Assistant Key Scenic Artist

The Corruptor (1999)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Cameras: Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Woo | ShotOnWhat?

Assistant Scenic Artist

Woo (1998)

Directed by: Daisy von Scherler Mayer

Cinematography by: Jean Lépine

Edited by: Nicholas Eliopoulos, Janice Hampton

That Old Feeling | ShotOnWhat?

Assistant Scenic Artist

That Old Feeling (1997)

Directed by: Carl Reiner

Cinematography by: Steve Mason

Edited by: Richard Halsey

Harriet the Spy | ShotOnWhat?

Scenic Artist

Harriet the Spy (1996)

Directed by: Bronwen Hughes

Cinematography by: Francis Kenny

Edited by: Debra Chiate

PCU | ShotOnWhat?

Lead Scenic Artist

PCU (1994)

Directed by: Hart Bochner

Cinematography by: Reynaldo Villalobos

Edited by: Nicholas C. Smith

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