Michael Lerman

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Empire of Light | ShotOnWhat?

Executive Producer, First Assistant Director

Empire of Light (2022)

Movie

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses, Cooke S7/i Lenses

1917 | ShotOnWhat?

Co-producer, First Assistant Director

1917 (2019)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Editing System: Avid Editing System

Mother! | ShotOnWhat?

First Assistant Director

Mother! (2017)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Doctor Strange | ShotOnWhat?

First Assistant Director

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Spectre | ShotOnWhat?

First Assistant Director

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Amazing Spider-Man 2 | ShotOnWhat?

First Assistant Director

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

First Assistant Director: Iceland Second Unit

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Men in Black 3 | ShotOnWhat?

First Assistant Director

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Skyfall | ShotOnWhat?

First Assistant Director

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Life as We Know It | ShotOnWhat?

First Assistant Director

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Law Abiding Citizen | ShotOnWhat?

First Assistant Director

Law Abiding Citizen (2009)

Directed by: F. Gary Gray

Cinematography by: Jonathan Sela

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Quantum of Solace | ShotOnWhat?

First Assistant Director

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

What Just Happened | ShotOnWhat?

First Assistant Director

What Just Happened (2008)

Directed by: Barry Levinson

Cinematography by: Stéphane Fontaine

Edited by: Hank Corwin

August Rush | ShotOnWhat?

First Assistant Director

August Rush (2007)

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Kite Runner | ShotOnWhat?

First Assistant Director

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Stranger Than Fiction | ShotOnWhat?

First Assistant Director

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Garden State | ShotOnWhat?

First Assistant Director

Garden State (2004)

Directed by: Zach Braff

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein

Shortcut to Happiness | ShotOnWhat?

First Assistant Director

Shortcut to Happiness (2003)

Directed by: Alec Baldwin

Cinematography by: Adam Holender

Edited by: John Carter, Mark Winitsky, Jeff Wood

In America | ShotOnWhat?

First Assistant Director: New York

In America (2002)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Naomi Geraghty

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Monster's Ball | ShotOnWhat?

First Assistant Director

Monster's Ball (2001)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

No Such Thing | ShotOnWhat?

First Assistant Director

No Such Thing (2001)

Directed by: Hal Hartley

Cinematography by: Michael Spiller

Edited by: Steve Hamilton

You Can Count on Me | ShotOnWhat?

First Assistant Director

You Can Count on Me (2000)

Directed by: Kenneth Lonergan

Cinematography by: Stephen Kazmierski

Edited by: Anne McCabe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Dark Harbor | ShotOnWhat?

Second Assistant Director

Dark Harbor (1998)

Directed by: Adam Coleman Howard

Cinematography by: Walt Lloyd

Edited by: Annette Davey

Love Walked In | ShotOnWhat?

Set Assistant

Love Walked In (1997)

Directed by: Juan José Campanella

Cinematography by: Daniel Shulman

Edited by: Darren Kloomok

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