Compositor: CVD VFX
Gretel & Hansel (2020)
Directed by: Oz Perkins
Cinematography by: Galo Olivares
Cameras: ARRI ALEXA Mini Camera
Lead Compositor: Method Studios
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Digital Compositor: CVD VFX
'The Magicians' The Cock Barrens (2017)
Directed by: Kate Woods
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Digital Compositor: CVD VFX
'The Magicians' Knight of Crowns (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Digital Compositor: CVD VFX
'The Magicians' Hotel Spa Potions (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Digital Compositor: CVD VFX
'The Magicians' Divine Elimination (2017)
Directed by: John Scott
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Digital Compositor: CVD VFX
'The Magicians' The Flying Forest (2017)
Directed by: Carol Banker
Cinematography by: Elie Smolkin
Digital Compositor: CVD VFX
'The Magicians' Cheat Day (2017)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Digital Compositor: CVD VFX
'The Magicians' Plan B (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Digital Compositor: CVD VFX
'The Magicians' Word as Bond (2017)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Digital Compositor: CVD VFX
'The Magicians' Lesser Evils (2017)
Directed by: Rebecca Johnson
Cinematography by: Elie Smolkin
Digital Compositor: CVD VFX
'The Magicians' The Girl Who Told Time (2017)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Digital Compositor: CVD VFX
'The Magicians' The Rattening (2017)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Digital Compositor: CVD VFX
'The Magicians' Ramifications (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Digital Compositor: CVD VFX
'The Magicians' We Have Brought You Little Cakes (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Digital Artist: CVD VFX - 3 Episodes, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Digital Compositor: CVD VFX - 13 Episodes, 2017
The Magicians (2015)
Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel
Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush
Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras: ARRI ALEXA Mini Camera
Digital Compositor
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Digital Compositor
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Digital Compositor
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Compositor: Animal Logic
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Digital Compositor: Fuel VFX
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Digital Compositing Artist
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Digital Compositor: CIS Vancouver
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Digital Compositor: Fuel VFX
Tomorrow, When the War Began (2010)
Directed by: Stuart Beattie
Cinematography by: Ben Nott
Edited by: Marcus D'Arcy
Digital Compositor: Fuel VFX
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor: CIS Vancouver
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Compositor: CIS Vancouver
Zombieland (2009)
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Digital Compositor: Double Negative
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
Doomsday (2008)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Digital Compositor: Double Negative
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Rotoscope And Prep Artist: Double Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Digital Compositor: Double Negative
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Compositor: Double Negative
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
