Special Effects
Us (2019)
Directed by: Jordan Peele
Cinematography by: Mike Gioulakis
Edited by: Nicholas Monsour
Special Effects Technician
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Special Effects Technician
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Special Effects Foreman
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Special Effects Foreman
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Technician
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Special Effects Technician
'True Blood' Cold Grey Light of Dawn (2011)
Directed by: Michael Ruscio
Cinematography by: Romeo Tirone
Edited by: Mark Hartzell
Special Effects Technician
'True Blood' Let's Get Out of Here (2011)
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Edited by: Louise Innes
Special Effects Technician
'True Blood' Spellbound (2011)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Lynne Willingham
Special Effects Technician
'True Blood' Soul of Fire (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Special Effects Technician
'True Blood' Burning Down the House (2011)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Michael Ruscio
Special Effects Technician
'True Blood' And When I Die (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Louise Innes
Special Effects Technician
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Special Effects Technician
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Snow Effects: Pennslyvannia
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Snow Effects Technician
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Special Effects Technician - 6 Episodes, 2011
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Technician
Semi-Pro (2008)
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Special Effects Propmaker
Over Her Dead Body (2008)
Directed by: Jeff Lowell
Cinematography by: John Bailey
Edited by: Matt Friedman
Special Effects Technician
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Special Effects Technician
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Effects Technician: Captive Audience Productions Inc.
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
