Still Photographer
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Still Photographer
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Still Photographer
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Still Photographer
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Still Photographer
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Still Photographer
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Game Plan (2007)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Still Photographer
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Still Photographer
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Still Photographer
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Still Photographer
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Still Photographer
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Still Photographer
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Still Photographer
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Still Photographer
The Evening Star (1996)
Directed by: Robert Harling
Cinematography by: Don Burgess
Still Photographer
Grumpier Old Men (1995)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Still Photographer 2000 Special Edition As Rob Phillips
Tommy Boy (1995)
Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr
Still Photographer
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Still Photographer
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Still Photographer
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Still Photographer
Buffy the Vampire Slayer (1992)
Directed by: Fran Rubel Kuzui
Cinematography by: James Hayman
Still Photographer: Title Sequence
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
Still Photographer
The Naked Gun 2½: The Smell of Fear (1991)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Still Photographer
Eyes of an Angel (1991)
Directed by: Robert Harmon
Cinematography by: Theo van de Sande
Stills Photographer
Side Out (1990)
Directed by: Peter Israelson
Cinematography by: Ronald Víctor García
Edited by: Conrad Buff IV
Still Photographer
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Still Photographer
Collision Course (1989)
Directed by: Lewis Teague
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Still Photographer
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Still Photographer: Chicago
Betrayed (1988)
Directed by: Costa-Gavras
Cinematography by: Patrick Blossier
Edited by: Joële Van Effenterre
Still Photographer
Nadine (1987)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Still Photographer
Near Dark (1987)
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Still Photographer
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Still Photographer
Crossroads (1986)
Directed by: Walter Hill
Cinematography by: John Bailey
Edited by: Freeman A. Davies
Cameras: Panavision Cameras
Unit Still Photographer
A Soldier's Story (1984)
Directed by: Norman Jewison
Cinematography by: Russell Boyd
Still Photographer
Tender Mercies (1983)
Directed by: Bruce Beresford
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Still Photographer
Independence Day (1983)
Directed by: Robert Mandel
Cinematography by: Charles Rosher Jr.
Cameras: Panavision Cameras
Still Photographer
Lone Wolf McQuade (1983)
Directed by: Steve Carver
Cinematography by: Roger Shearman
Edited by: Anthony Redman
Still Photographer
Body Heat (1981)
Directed by: Lawrence Kasdan
Cinematography by: Richard H. Kline
Edited by: Carol Littleton
