Special Effects Foreman
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
Special Effects Technician
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Coordinator
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Special Effects Technician
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Executive Producer
Frankie in Blunderland (2011)
Directed by: Caleb Emerson
Cinematography by: Caleb Emerson
Edited by: Caleb Emerson
Cameras: Canon Cameras, Panasonic Cameras
Editing System: Final Cut Pro Editing System
Special Effects Foreman
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Special Effects Coordinator, Stunts
The Maiden Heist (2009)
Directed by: Peter Hewitt
Cinematography by: Ueli Steiger
Edited by: Carole Kravetz Aykanian
Special Effects
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Special Effects: Boston
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Special Effects Coordinator: Rhode Island
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Special Effects Foreman: Massachusetts
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Special Effects
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds
Special Effects Foreman
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Special Effects: Gloucester
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects Foreman: Boston
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Special Effects Coordinator, Utility Stunts
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Special Effects Coordinator
The Crucible (1996)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Oleanna (1994)
Directed by: David Mamet
Cinematography by: Andrzej Sekula
Edited by: Barbara Tulliver
Stunts
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Special Effects Coordinator
The Man Without a Face (1993)
Directed by: Mel Gibson
Cinematography by: Donald McAlpine
Edited by: Antony Gibbs
Special Effects Assistant
HouseSitter (1992)
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
Stunts
Second Sight (1989)
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray
Cameras: Panavision Cameras
