Special Effects Hod
Tár (2022)
Directed by: Todd Field
Cinematography by: Florian Hoffmeister
Edited by: Monika Willi
Lenses: ARRI Signature Prime Lenses
Special Effects Supervisor
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Coordinator
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Special Effects Coordinator - 10 Episodes, 2017
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Coordinator
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Special Effects Coordinator
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Special Effects Coordinator
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Special Effects Coordinator
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Special Effects Coordinator
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Special Effects Coordinator
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Special Effects Coordinator
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Special Effects Coordinator
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Special Effects Coordinator
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Weapons Supervisor
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Special Effects Supervisor: Germany, SFX Department Berlin
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Special Effects Coordinator / Weapons Master
Schutzengel (2012)
Directed by: Til Schweiger
Cinematography by: Adrian Cranage
Edited by: Constantin von Seld
Lenses: Zeiss Master Prime Lenses
Special Effects Coordinator: Germany
Don 2 (2011)
Directed by: Farhan Akhtar
Cinematography by: Jason West
Special Effects Supervisor
Black Death (2010)
Directed by: Christopher Smith
Cinematography by: Sebastian Edschmid
Edited by: Stuart Gazzard
Special Effects
Die Fremde (2010)
Directed by: Feo Aladag
Cinematography by: Judith Kaufmann
Edited by: Andrea Mertens
Special Effects Coordinator
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Special Effects
The Wave (2008)
Directed by: Dennis Gansel
Cinematography by: Torsten Breuer
Edited by: Ueli Christen
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Special Effects Coordinator: SFX Department Berlin
Anonyma - Eine Frau in Berlin (2008)
Directed by: Max Färberböck
Cinematography by: Benedict Neuenfels
Edited by: Ewa J. Lind
Special Effects: Technical Support
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Special Effects Supervisor: Marokko
The Baader Meinhof Complex (2008)
Directed by: Uli Edel
Cinematography by: Rainer Klausmann
Edited by: Alexander Berner
Special Effects Supervisor
Dresden (2006)
Directed by: Roland Suso Richter
Cinematography by: Holly Fink
Edited by: Bernd Schlegel
Special Effects Supervisor
Fay Grim (2006)
Directed by: Hal Hartley
Cinematography by: Sarah Cawley
Edited by: Hal Hartley
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects: Technical Support
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Special Effects: Technical Support
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Special Effects: Technical Support
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Special Effects Supervisor
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Special Effects: Technical Support
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Special Effects
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Special Effects Supervisor
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
Special Effects Assistant: Germany
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
