2nd Unit Stand By Painter
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Stand-by Painter: Second Unit
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Stand-by Painter: Second Unit
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Stand-by Painter: Second Unit
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Stand-by Painter: Second Unit
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Stand-by Painter
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Stand-by Painter
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Stand-by Painter: Second Unit
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Stand-by Painter: Second Unit
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stand-by Painter: Second Unit
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Stand-by Painter
The Million Dollar Hotel (2000)
Directed by: Wim Wenders
Cinematography by: Phedon Papamichael
Edited by: Tatiana S. Riegel
Cameras: Panavision Cameras
Painter
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Painter
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Painter
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Painter
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Asian Man, On-set Painter
The Crossing Guard (1995)
Directed by: Sean Penn
Cinematography by: Vilmos Zsigmond
Edited by: Jay Cassidy
Cameras: Panavision Cameras
Stand-by Painter
The Jungle Book (1994)
Directed by: Stephen Sommers
Cinematography by: Juan Ruiz Anchía
Edited by: Bob Ducsay
Painter
Amityville: A New Generation (1993)
Directed by: John Murlowski
Cinematography by: Wally Pfister
Edited by: Rick Finney
Stand-by Painter
The Indian Runner (1991)
Directed by: Sean Penn
Cinematography by: Anthony B. Richmond
Edited by: Jay Cassidy
Stand-by Painter
Double Impact (1991)
Directed by: Sheldon Lettich
Cinematography by: Richard H. Kline
Edited by: Mark Conte
Lead Scenic Painter
After Midnight (1989)
Cinematography by: Phedon Papamichael
Cameras: ARRIFLEX Camera
Painter
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
