Foley Mixer / Re-recording Mixer
Taken 2 (2012)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Re-recording Mixer
Colombiana (2011)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Edited by: Camille Delamarre
Re-recording Mixer
Carnage (2011)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Re-recording Mixer
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Re-recording Mixer
Les femmes de l'ombre (2008)
Directed by: Jean-Paul Salomé
Cinematography by: Pascal Ridao
Edited by: Marie-Pierre Renaud
Re-recording Mixer / Sound Supervisor
The Baker (2007)
Directed by: Gareth Lewis
Cinematography by: Sean Bobbitt
Edited by: Alan Strachan
Cameras: ARRI Cameras
Re-recording Mixer
The Fall (2006)
Directed by: Tarsem Singh
Cinematography by: Colin Watkinson
Edited by: Robert Duffy
Re-recording Mixer
Joyeux Noel (2005)
Directed by: Christian Carion
Cinematography by: Walther van den Ende
Lenses: Panavision Lenses
Re-recording Mixer
Oliver Twist (2005)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Re-recording Mixer
The Great Ecstasy of Robert Carmichael (2005)
Directed by: Thomas Clay
Cinematography by: Giorgos Arvanitis
Edited by: David Wigram
Re-recording Mixer
Arsène Lupin (2004)
Directed by: Jean-Paul Salomé
Cinematography by: Pascal Ridao
Edited by: Marie-Pierre Renaud
Re-recording Mixer / Sound Supervisor
Renegade (2004)
Directed by: Jan Kounen
Cinematography by: Tetsuo Nagata
Re-recording Mixer
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Re-recording Mixer
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
Re-recording Mixer
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Re-recording Mixer
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Re-recording Mixer
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Re-recording Mixer
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Re-recording Mixer
The Trench (1999)
Directed by: William Boyd
Cinematography by: Tony Pierce-Roberts
Re-recording Mixer
Tea with Mussolini (1999)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Tariq Anwar
Re-recording Mixer / Sound Re-recordist
Dancing at Lughnasa (1998)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Humphrey Dixon
Sound Re-recordist: Twickenham Film Studios
A Soldier's Daughter Never Cries (1998)
Directed by: James Ivory
Cinematography by: Jean-Marc Fabre
Edited by: Noëlle Boisson
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Seven Years in Tibet (1997)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Re-recording Mixer
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Lawn Dogs (1997)
Directed by: John Duigan
Cinematography by: Elliot Davis
Edited by: Humphrey Dixon
Re-recording Mixer
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
Re-recording Mixer
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Firelight (1997)
Directed by: William Nicholson
Cinematography by: Nic Morris
Edited by: Chris Wimble
Re-recording Mixer
Jane Eyre (1996)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Richard Marden
Sound Mixer
In Love and War (1996)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Re-recording Mixer
Mary Reilly (1996)
Directed by: Stephen Frears
Cinematography by: Philippe Rousselot
Edited by: Lesley Walker
Re-recording Mixer
The Crucible (1996)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Nell (1994)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Re-recording Mixer
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Death and the Maiden (1994)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Re-recording Mixer
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Sound Mixer
Shadowlands (1993)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Re-recording Mixer
The Man Without a Face (1993)
Directed by: Mel Gibson
Cinematography by: Donald McAlpine
Edited by: Antony Gibbs
Re-recording Mixer
Chaplin (1992)
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Dubbing Mixer
Let Him Have It (1991)
Directed by: Peter Medak
Cinematography by: Oliver Stapleton
Edited by: Ray Lovejoy
Re-recording Mixer
The Krays (1990)
Directed by: Peter Medak
Cinematography by: Alex Thomson
Edited by: Martin Walsh
Re-recording Mixer
Hidden Agenda (1990)
Directed by: Ken Loach
Cinematography by: Clive Tickner
Edited by: Jonathan Morris
Re-recording Mixer
Slipstream (1989)
Directed by: Steven Lisberger
Cinematography by: Frank Tidy
Edited by: Terry Rawlings
Re-recording Mixer
The Mighty Quinn (1989)
Directed by: Carl Schenkel
Cinematography by: Jacques Steyn
Edited by: John Jympson
Re-recording Mixer
Frantic (1988)
Directed by: Roman Polanski
Cinematography by: Witold Sobocinski
Edited by: Sam O'Steen
Cameras: Moviecam Cameras
Assistant Sound Re-recording Mixer
A Prayer for the Dying (1987)
Directed by: Mike Hodges
Cinematography by: Michael Garfath
Edited by: Peter Boyle
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Assistant Sound Re-recording Mixer
Someone to Watch Over Me (1987)
Directed by: Ridley Scott
Cinematography by: Steven Poster
Edited by: Claire Simpson
Dubbing Mixer
Born American (1986)
Directed by: Renny Harlin
Cinematography by: Henrik Paersch
Edited by: Paul Martin Smith
