Foley Mixer: Boom Tracks
The Color Purple (2023)
Directed by: Blitz Bazawule
Cinematography by: Dan Laustsen
Edited by: Jon Poll
Lenses: ARRI Signature Prime Lenses
Foley Editor: Boom Tracks , Foley Supervisor: Boom Tracks
Puss in Boots: The Last Wish (2022)
Cinematography by: Chris Stover
Edited by: James Ryan
Foley Supervisor
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Foley Supervisor
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Foley Supervisor
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Foley Supervisor
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Foley Supervisor
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Foley Supervisor
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Foley Supervisor
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Foley Supervisor
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Sound Designer
Hustlers (2019)
Directed by: Lorene Scafaria
Cinematography by: Todd Banhazl
Edited by: Kayla Emter
Cameras: Panavision Millennium DXL2 Camera
Sound Designer
Escape Room (2019)
Directed by: Adam Robitel
Cinematography by: Marc Spicer
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Sound Effects Editor
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
Overboard (2018)
Directed by: Rob Greenberg
Cinematography by: Michael Barrett
Edited by: Lee Haxall
Cameras: Sony PMW-F55 Camera
Foley Supervisor - 8 Episodes, 2020
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Foley Supervisor
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Sound Designer / Supervising Sound Editor
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Sound Effects Editor
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Re-recording Mixer / Sound Designer
Wolf Creek 2 (2013)
Directed by: Greg McLean
Cinematography by: Toby Oliver
Edited by: Sean Lahiff
Cameras: ARRI ALEXA Plus 4:3 Camera
Re-recording Mixer
Careless Love (2012)
Directed by: John Duigan
Cinematography by: Kathryn Milliss
Edited by: Mark Warner
Sound Designer
Crawlspace (2012)
Directed by: Justin Dix
Cinematography by: Simon Ozolins
Edited by: Dave Redman
Cameras: Red One Camera
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Sanctum (2011)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Mark Warner
Sound Effects Editor
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Sound Designer / Supervising Effects Editor
Killer Elite (2011)
Directed by: Gary McKendry
Cinematography by: Simon Duggan
Edited by: John Gilbert
Additional Mixing
Easy A (2010)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Susan Littenberg
Cameras: Panavision Genesis Camera
Sound Effects Editor
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Additional Sound Mixer / Sound Designer / Sound Effects Editor
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Sound Effects Editor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Sound Designer
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Sound Designer / Supervising Sound Effects Editor
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Sound Designer
Quarantine (2008)
Directed by: John Erick Dowdle
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Re-recording Mixer
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Re-recording Mixer / Sound Designer
The Black Balloon (2008)
Directed by: Elissa Down
Cinematography by: Denson Baker
Edited by: Veronika Jenet
Sound Designer / Sound Mixer
Gui si (2006)
Directed by: Chao-Bin Su
Cinematography by: Arthur Wong
Edited by: Ka-Fai Cheung
Sound Effects Editor
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Sound Editor
Battle of the Warriors (2006)
Directed by: Chi Leung 'Jacob' Cheung
Cinematography by: Yoshitaka Sakamoto
Edited by: Chi-Leung Kwong
Sound Editor
Krrish (2006)
Directed by: Rakesh Roshan
Cinematography by: Santhosh Thundiyil
Edited by: Amitabh Shukla
Re-recording Mixer / Sound Designer
The Book of Revelation (2006)
Directed by: Ana Kokkinos
Cinematography by: Tristan Milani
Edited by: Martin Connor
Re-recording Mixer - 2 Episodes, 2004
Salem's Lot (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Lenses: Cooke S4 Lenses
Re-recording Mixer
'Salem's Lot' Episode #1.2 (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Re-recording Mixer
'Salem's Lot' Episode #1.1 (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Re-recording Mixer / Sound Designer
Kung Fu Hustle (2004)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Sound Effects Editor
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Sound Effects Editor
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Re-recording Mixer
Da wan (2001)
Directed by: Xiaogang Feng
Cinematography by: Li Zhang
Edited by: Ying Zhou
Re-recording Mixer
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Re-recording Mixer / Sound Designer / Sound Supervisor
China Strike Force (2000)
Directed by: Stanley Tong
Cinematography by: Jeffrey C. Mygatt
Sound Mixer
Strange Planet (1999)
Directed by: Emma-Kate Croghan
Cinematography by: Justin Brickle
Edited by: Ken Sallows
Sound Mixer: Australia
Tidal Wave: No Escape (1997)
Directed by: George Miller
Cinematography by: Mark Irwin
Edited by: Corky Ehlers
Mix Assistant: Soundfirm Australia
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Sound Mixer
Xin Shang Hai tan (1996)
Directed by: Man Kit Poon
Cinematography by: Hang-Sang Poon
Edited by: Marco Mak
Sound Mixer
Fei hu (1996)
Directed by: Gordon Chan
Cinematography by: Wing-Hang Wong
Edited by: Ki-Hop Chan
Sound Mixer
Police Story 4: First Strike (1996)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Sound Mixer / Supervising Sound Editor
Rumble in the Bronx (1995)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Edited by: Peter Cheung
Assistant Sound Mixer
I.Q. (1994)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Jill Bilcock
Assistant Sound Engineer
Body Melt (1993)
Directed by: Philip Brophy
Cinematography by: Ray Argall
Edited by: Bill Murphy
Cameras: ARRIFLEX 16SR2 Camera
Editing System: Steenbeck Editing System
Assistant Sound Mixer
Six Degrees of Separation (1993)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Foley Artist
Map of the Human Heart (1992)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
