Dolly Grip Operator
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Dolly Grip: Los Angeles Unit
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Crane Grip
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Crane Technician
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Dolly Grip: A Cam
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Dolly Grip: "a" Camera
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Dolly Grip: "a" Camera, Live Action Photography
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
A Camera Dolly Grip
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Dolly Grip: "b" Camera
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Dolly Grip
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Dolly Grip: "a" Camera
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Dolly Grip
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Dolly Grip: "a" Camera
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Dolly Grip
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Dolly Grip: "b" Camera
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Dolly Grip: Los Angeles
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Dolly Grip
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Dolly Grip: Additional Photography, U.S.
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Dolly Grip Operator: "a" Camera
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Dolly Grip: China
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Dolly Grip
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
