Zachary Medow

14 Titles

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Crown Vic | ShotOnWhat?

Colorist

Crown Vic (2019)

Directed by: Joel Souza

Cinematography by: Thomas Scott Stanton

Edited by: David Andalman

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Searching | ShotOnWhat?

Colorist

Searching (2018)

Directed by: Aneesh Chaganty

Cinematography by: Juan Sebastian Baron, Nicholas D. Johnson, Will Merrick

Edited by: Nicholas D. Johnson, Will Merrick

Cameras: Apple iPhone Camera, GoPro (Woodman Labs) Cameras

Star Trek Beyond | ShotOnWhat?

Production And Technical Support: Kelvin Optical

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Insidious: Chapter 3 | ShotOnWhat?

On-line Conform

Insidious: Chapter 3 (2015)

Directed by: Leigh Whannell

Cinematography by: Brian Pearson

Edited by: Timothy Alverson

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Anamorphic Lenses

Southpaw | ShotOnWhat?

Colorist: Previews

Southpaw (2015)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Hercules | ShotOnWhat?

Colorist: Previews

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Star Trek Into Darkness | ShotOnWhat?

Preview Colorist

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Beautiful Creatures | ShotOnWhat?

Preview Colorist

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Prisoners | ShotOnWhat?

Preview Colorist

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

42 | ShotOnWhat?

High Definition Color Correction

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Scream 4 | ShotOnWhat?

Colorist: Preview

Scream 4 (2011)

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Peter McNulty

Cameras: Panavision Cameras

The Rum Diary | ShotOnWhat?

High Definition Color Correction

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

Tropic Thunder | ShotOnWhat?

Preview Colorist

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Nanny Diaries | ShotOnWhat?

Colorist: High-definition

The Nanny Diaries (2007)

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

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