Head Of Production: Framestore Montreal
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Head Of Production: Framestore Montreal
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Visual Effects Producer: Double Negative
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: Double Negative
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Visual Effects Producer: Double Negative
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: Double Negative
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Visual Effects Producer: Double Negative
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Visual Effects Producer: Baseblack
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer: Baseblack
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Visual Effects Producer: Baseblack
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Visual Effects Producer: Baseblack
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Visual Effects Line Producer: Double Negative
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Visual Effects Line Producer: Double Negative
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Visual Effects Producer: Double Negative
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Visual Effects Producer
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Visual Effects Coordinator: Double Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Production Coordinator: Double Negative
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
