Score Recorded And Mixed By
Jackie (2016)
Directed by: Pablo Larraín
Cinematography by: Stéphane Fontaine
Edited by: Sebastián Sepúlveda
Cameras: ARRIFLEX 416 Plus Camera
Music Engineer
'Call the Midwife' Episode #2.7 (2013)
Directed by: Minkie Spiro
Cinematography by: Simon Archer
Edited by: Lois Bygrave
Music Engineer
'Call the Midwife' Episode #2.1 (2013)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Music Engineer
'Call the Midwife' Episode #2.2 (2013)
Directed by: Roger Goldby
Cinematography by: James Aspinall
Edited by: Beverley Mills
Music Engineer
'Call the Midwife' Episode #2.3 (2013)
Directed by: Roger Goldby
Cinematography by: James Aspinall
Edited by: Beverley Mills
Music Engineer
'Call the Midwife' Episode #2.4 (2013)
Directed by: Roger Goldby
Cinematography by: James Aspinall
Edited by: Beverley Mills
Music Engineer
'Call the Midwife' Episode #2.6 (2013)
Directed by: China Moo-Young
Cinematography by: Simon Archer
Edited by: Gareth C. Scales
Music Engineer
'Call the Midwife' Episode #2.5 (2013)
Directed by: China Moo-Young
Cinematography by: Simon Archer
Edited by: Gareth C. Scales
Music Engineer
'Call the Midwife' Episode #2.8 (2013)
Directed by: Minkie Spiro
Cinematography by: Simon Archer
Edited by: Lois Bygrave
Music Engineer - 14 Episodes, 2012-2013
Call the Midwife (2012)
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Music Engineer/mixer
Cockneys vs Zombies (2012)
Directed by: Matthias Hoene
Cinematography by: Daniel Bronks
Cameras: ARRI Cameras
Lenses: Bausch & Lomb Lenses
Music Mixer / Score Recordist
Quartet (2012)
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Music Engineer
'Call the Midwife' Episode #1.6 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Music Engineer
'Call the Midwife' Episode #1.5 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Music Recordist: Angel Recording Studio
The Angels' Share (2012)
Directed by: Ken Loach
Cinematography by: Robbie Ryan
Edited by: Jonathan Morris
Music Engineer
'Call the Midwife' Episode #1.4 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Music Engineer
'Call the Midwife' Episode #1.3 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Music Engineer
'Call the Midwife' Episode #1.2 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Music Recording Engineer
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Music Engineer
'Call the Midwife' Episode #1.1 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Music Recordist: Angel Studios
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Score Mixer / Score Recordist
L'illusionniste (2010)
Directed by: Sylvain Chomet
Edited by: Sylvain Chomet
Synthesizer Programmer
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Music Engineer/mixer
Wild Target (2010)
Directed by: Jonathan Lynn
Cinematography by: David Johnson
Edited by: Michael Parker
Cameras: ARRICAM Studio (ST) Camera
Music Recordist: Angel Recording Studio
Looking for Eric (2009)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Music Recording Engineer , Music Recordist
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Score Recording Engineer
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Music Recording Engineer
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Music Engineer/mixer
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Score Mixer / Score Recording Engineer
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Music Recording Engineer
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Music Recordist
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Music Engineer/mixer
'Planet Earth' Mountains (2006)
Directed by: Alastair Fothergill
Cinematography by: Michael Kelem
Edited by: Andy Netley
Music Engineer/mixer
'Planet Earth' Ocean Deep (2006)
Directed by: Alastair Fothergill
Edited by: Jo Payne
Music Engineer/mixer
'Planet Earth' From Pole to Pole (2006)
Cinematography by: Doug Allan, Martyn Colbeck, Wade Fairley, Michael Kelem, Simon King, Andrew Shillabeer, Paul Stewart
Edited by: Martin Elsbury
Music Engineer/mixer
'Planet Earth' Fresh Water (2006)
Directed by: Alastair Fothergill
Cinematography by: Doug Anderson
Edited by: Stuart Napier
Music Engineer/mixer - 11 Episodes, 2006
Planet Earth (2006)
Directed by: Alastair Fothergill
Cinematography by: Michael Kelem, Doug Anderson, Andrew Shillabeer, Peter Kragh, Paul Stewart, Doug Allan, Martyn Colbeck, Wade Fairley, Simon King
Edited by: Andy Netley, Stuart Napier, David Pearce, Andrew Chastney, Martin Elsbury, Jill Garrett, Jo Payne, Thom Sulek
Cameras: Photron Cameras
Music Engineer/mixer
'Planet Earth' Caves (2006)
Directed by: Alastair Fothergill
Cinematography by: Paul Stewart
Edited by: Andy Netley
Music Engineer/mixer
'Planet Earth' Ice Worlds (2006)
Directed by: Alastair Fothergill
Cinematography by: Doug Anderson
Edited by: Andy Netley
Music Engineer/mixer
'Planet Earth' Shallow Seas (2006)
Directed by: Alastair Fothergill
Edited by: Stuart Napier
Music Engineer/mixer
'Planet Earth' Deserts (2006)
Directed by: Alastair Fothergill
Cinematography by: Andrew Shillabeer
Edited by: David Pearce
Music Engineer/mixer
'Planet Earth' Great Plains (2006)
Directed by: Alastair Fothergill
Cinematography by: Michael Kelem
Edited by: Andrew Chastney
Music Engineer/mixer
'Planet Earth' Jungles (2006)
Directed by: Alastair Fothergill
Cinematography by: Michael Kelem
Edited by: David Pearce
Music Recording Engineer
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Music Recording Engineer
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Music Recording Engineer
Klimt (2006)
Directed by: Raoul Ruiz
Cinematography by: Ricardo Aronovich
Edited by: Valeria Sarmiento
Music Recording Engineers
Perfect Creature (2006)
Directed by: Glenn Standring
Cinematography by: Leon Narbey
Edited by: Chris Blunden
Music Recording Engineer
The Wind that Shakes the Barley (2006)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Lenses: Zeiss Ultra Prime Lenses
Music Recording Engineer
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Engineer & Mixer: Angel Studios
Keeping Mum (2005)
Directed by: Niall Johnson
Cinematography by: Gavin Finney
Edited by: Robin Sales
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Recording Engineer
Suzie Gold (2004)
Directed by: Ric Cantor
Cinematography by: Daf Hobson
Edited by: Michael Ellis
Score Mixer
Arsène Lupin (2004)
Directed by: Jean-Paul Salomé
Cinematography by: Pascal Ridao
Edited by: Marie-Pierre Renaud
Music Recording Engineer: Angel Recording Studios
Stage Beauty (2004)
Directed by: Richard Eyre
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Music Recording Engineer
Dear Frankie (2004)
Directed by: Shona Auerbach
Cinematography by: Shona Auerbach
Edited by: Oral Norrie Ottey
Music Recording Engineer
Freeze Frame (2004)
Directed by: John Simpson
Cinematography by: Mark Garrett
Edited by: Simon Thorne
Music Recording Engineer
To Kill a King (2003)
Directed by: Mike Barker
Cinematography by: Eigil Bryld
Edited by: Guy Bensley
Cameras: Panavision Cameras
Music Recording Engineer
Bright Young Things (2003)
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Music Scoring Mixer
Dirty Pretty Things (2002)
Directed by: Stephen Frears
Cinematography by: Chris Menges
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Score Mixer / Score Recordist
Sweet Home Alabama (2002)
Directed by: Andy Tennant
Cinematography by: Andrew Dunn
Music Recording Engineer
The Last of the Blonde Bombshells (2000)
Directed by: Gillies MacKinnon
Cinematography by: Richard Greatrex
Edited by: Pia Di Ciaula
Assistant Music Recordist
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Music Engineer
Little Voice (1998)
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Sound Recording Engineer
The Full Monty (1997)
Directed by: Peter Cattaneo
Cinematography by: John de Borman
Cameras: Moviecam Cameras
Music Engineer
Hollow Reed (1996)
Directed by: Angela Pope
Cinematography by: Remi Adefarasin
Edited by: Sue Wyatt
Music Mixer: Symphonic Music
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Sound Mixing Engineer / Sound Recordist
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Music Scoring Mixer
Wuthering Heights (1992)
Directed by: Peter Kosminsky
Cinematography by: Mike Southon
Edited by: Tony Lawson
Cameras: ARRI Cameras
