Stunts
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Stunts
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Stunts
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Stunts
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Stunts
Storm Catcher (1999)
Directed by: Anthony Hickox
Cinematography by: David Bridges
Edited by: Brett Hedlund
Stunts
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Stunts
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Stunts
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Stunts
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Stunts
Best Men (1997)
Directed by: Tamra Davis
Cinematography by: James Glennon
Edited by: Paul Trejo
Cameras: Panavision Cameras
Stunts
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Stunts
Spy Hard (1996)
Directed by: Rick Friedberg
Cinematography by: John R. Leonetti
Edited by: Eric A. Sears
Stunts
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Stunt Coordinator
Teresa's Tattoo (1994)
Directed by: Julie Cypher
Cinematography by: Sven Kirsten
Edited by: Christopher Rouse
Stunts
Maniac Cop 3: Badge of Silence (1993)
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Frank Velka
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Stunts
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Stunts
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Stunts
Love Field (1992)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Stunts
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Stunts
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Stunts
Loose Cannons (1990)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Stunts
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
Shipyard Security Guard
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Watchman One
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Stunts
Mississippi Burning (1988)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Cameras: Panavision Panaflex Gold Camera
Stunt Player
Death Wish 4: The Crackdown (1987)
Directed by: J. Lee Thompson
Cinematography by: Gideon Porath
Edited by: Peter Lee-Thompson
Stunts
Independence Day (1983)
Directed by: Robert Mandel
Cinematography by: Charles Rosher Jr.
Cameras: Panavision Cameras
Stunt Coordinator
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Stagehand #2
My Favorite Year (1982)
Directed by: Richard Benjamin
Cinematography by: Gerald Hirschfeld
Edited by: Richard Chew
Stunts
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
Stunts
The Sword and the Sorcerer (1982)
Directed by: Albert Pyun
Cinematography by: Joseph Mangine
Edited by: Marshall Harvey
Stunts
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunts
Pennies from Heaven (1981)
Directed by: Herbert Ross
Cinematography by: Gordon Willis
Edited by: Richard Marks
Stuntman
Motel Hell (1980)
Directed by: Kevin Connor
Cinematography by: Thomas Del Ruth
Edited by: Bernard Gribble
Stunts
Melvin and Howard (1980)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Stunt Coordinator
The Prize Fighter (1979)
Directed by: Michael Preece
Cinematography by: Jacques Haitkin
Edited by: Fabien D. Tordjmann
Stunt Coordinator
The Big Fix (1978)
Directed by: Jeremy Kagan
Cinematography by: Frank Stanley
Edited by: Patrick Kennedy
Cameras: Panavision Cameras
Additional Stunts: Canada
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Stunts: Fire Gag
Stunts (1977)
Directed by: Mark L. Lester
Cinematography by: Bruce Logan
Edited by: Corky Ehlers
Stunts
Jaws (1975)
Directed by: Steven Spielberg
Cinematography by: Bill Butler
Edited by: Verna Fields
Editing System: Moviola Editing System
Stunts
The Towering Inferno (1974)
Directed by: John Guillermin
Cinematography by: Fred J. Koenekamp
Cameras: Panavision Silent Reflex PSR Camera
Stunts
Conquest of the Planet of the Apes (1972)
Directed by: J. Lee Thompson
Cinematography by: Bruce Surtees
Stunts
What's Up, Doc? (1972)
Directed by: Peter Bogdanovich
Cinematography by: László Kovács
Edited by: Verna Fields
Stunt Coordinator
Catch-22 (1970)
Directed by: Mike Nichols
Cinematography by: David Watkin
Edited by: Sam O'Steen
Stunts
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
