Michael A. Leo

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John Wick: Chapter 3 - Parabellum | ShotOnWhat?

Genny Operator

John Wick: Chapter 3 - Parabellum (2019)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Hustlers | ShotOnWhat?

Generator Operator

Hustlers (2019)

Directed by: Lorene Scafaria

Cinematography by: Todd Banhazl

Edited by: Kayla Emter

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Zoolander 2 | ShotOnWhat?

Genny Operator: New York Unit

Zoolander 2 (2016)

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Focus | ShotOnWhat?

Genny Operator: New York Unit

Focus (2015)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

The Intern | ShotOnWhat?

Generator Operator / Lighting Technician

The Intern (2015)

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Winter's Tale | ShotOnWhat?

Lamp Operator

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Generator Operator

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Noah | ShotOnWhat?

Set Generator Operator

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

After Earth | ShotOnWhat?

Rigging Electrician

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Electric: Second Unit

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Men in Black 3 | ShotOnWhat?

Generator Operator

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Hope Springs | ShotOnWhat?

Generator Operator

Hope Springs (2012)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Dark Knight Rises | ShotOnWhat?

Generator Operator

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Smurfs | ShotOnWhat?

Generator Operator

The Smurfs (2011)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Ellier Dov, Sabrina Plisco

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Editing System: Avid Editing System

W.E. | ShotOnWhat?

Rigging Electric Best Boy

W.E. (2011)

Directed by: Madonna

Cinematography by: Hagen Bogdanski

Edited by: Danny Tull

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses: Zeiss Ultra Prime Lenses

Mr. Popper's Penguins | ShotOnWhat?

Genny Operator

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Beaver | ShotOnWhat?

Lamp Operator

The Beaver (2011)

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Arthur | ShotOnWhat?

Lamp Operator

Arthur (2011)

Directed by: Jason Winer

Cinematography by: Uta Briesewitz

Edited by: Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Get Him to the Greek | ShotOnWhat?

Lamp Operator

Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

All Good Things | ShotOnWhat?

Lamp Operator

All Good Things (2010)

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

Black Swan | ShotOnWhat?

Generator Operator

Black Swan (2010)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Zeiss Ultra 16 Lenses

Editing System: Avid Editing System

Salt | ShotOnWhat?

Best Boy Rigging Electrics

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Sex and the City 2 | ShotOnWhat?

Generator Operator

Sex and the City 2 (2010)

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Date Night | ShotOnWhat?

Generator Operator

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Duplicity | ShotOnWhat?

Best Boy Rigging Electric

Duplicity (2009)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Baby Mama | ShotOnWhat?

Rigging Best Boy

Baby Mama (2008)

Directed by: Michael McCullers

Cinematography by: Daryn Okada

Edited by: Bruce Green, Debra Neil-Fisher

Cameras: Panavision Cameras

What Happens in Vegas | ShotOnWhat?

Best Boy Rigging Electric

What Happens in Vegas (2008)

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Miracle at St. Anna | ShotOnWhat?

Rigging Electrician: New York

Miracle at St. Anna (2008)

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Two Lovers | ShotOnWhat?

House Electrician

Two Lovers (2008)

Directed by: James Gray

Cinematography by: Joaquín Baca-Asay

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

I Am Legend | ShotOnWhat?

Additional Electrician

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

My Blueberry Nights | ShotOnWhat?

Electrician

My Blueberry Nights (2007)

Directed by: Kar-Wai Wong

Cinematography by: Darius Khondji, Pung-Leung Kwan

Edited by: William Chang

The Nanny Diaries | ShotOnWhat?

Additional Electrician

The Nanny Diaries (2007)

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

The Brave One | ShotOnWhat?

House Electrician

The Brave One (2007)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Tony Lawson

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Awake | ShotOnWhat?

Additional Electrician

Awake (2007)

Directed by: Joby Harold

Cinematography by: Russell Carpenter

Edited by: Craig McKay

Spider-Man 3 | ShotOnWhat?

Generator Operator

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Perfect Stranger | ShotOnWhat?

Electrician

Perfect Stranger (2007)

Directed by: James Foley

Cinematography by: Anastas N. Michos

Edited by: Christopher Tellefsen

The Savages | ShotOnWhat?

Additional Electrician

The Savages (2007)

Directed by: Tamara Jenkins

Cinematography by: W. Mott Hupfel III

Edited by: Brian A. Kates

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses

The Devil Wears Prada | ShotOnWhat?

Rigging Electric

The Devil Wears Prada (2006)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

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