Digital Intermediate Colorist
The Sea Beast (2022)
Directed by: Chris Williams
Edited by: Joyce Arrastia
Digital Intermediate Artist
Lights Out (2016)
Directed by: David F. Sandberg
Cinematography by: Marc Spicer
Cameras: ARRI ALEXA Camera
Senior Digital Intermediate Colorist
Keanu (2016)
Directed by: Peter Atencio
Cinematography by: Jas Shelton
Edited by: Nicholas Monsour
Colorist
Trick Shot (2015)
Directed by: Evan Kaufmann
Cinematography by: Gale Tattersall
Edited by: Zach Prichard
Cameras: Canon EOS-C300 Mark II Camera
Editing System: Adobe Premiere Editing System
Senior Digital Intermediate Colorist
Deliverance Creek (2014)
Directed by: Jon Amiel
Cinematography by: Theo van de Sande
Edited by: Josh Beal
Cameras: ARRI ALEXA Camera
Senior Digital Intermediate Colorist
The Boxtrolls (2014)
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Senior Digital Intermediate Colorist
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist: Fotokem
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Digital Intermediate Artist: FotoKem
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Intermediate Colorist: Fotokem
Magic Mike (2012)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Intermediate Colorist
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Digital Intermediate Colorist
The Ghastly Love of Johnny X (2012)
Directed by: Paul Bunnell
Cinematography by: Francisco Bulgarelli
Edited by: Russell Harnden III
Second Digital Intermediate Colorist
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Senior Digital Intermediate Colorist
Man & Beast (2012)
Directed by: Dante Ariola
Cinematography by: Jeff Cronenweth
Edited by: Andrea MacArthur
Cameras: Canon EOS-C500 Camera
Lenses: Canon EF Series Lenses
Digital Intermediate Colorist
Prom (2011)
Directed by: Joe Nussbaum
Cinematography by: Byron Shah
Edited by: Jeffrey M. Werner
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Digital Intermediate Colorist, Digital Stereoscopic Artist
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Digital Intermediate Colorist
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
Digital Film Colorist
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Digital Intermediate Colorist
Ca$h (2010)
Directed by: Stephen Milburn Anderson
Edited by: Mark Conte
Digital Intermediate Colorist, Digital Stereoscopic Artist
Jackass 3D (2010)
Directed by: Jeff Tremaine
Digital Intermediate Colorist
X Games 3D: The Movie (2009)
Directed by: Steven Lawrence
Cinematography by: Matt Goodman
Edited by: Todd Crites
Digital Intermediate Colorist: Concert Footage
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Digital Intermediate Colorist, Digital Stereoscopic Artist
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Digital Intermediate Colorist, Digital Stereoscopic Artist
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Digital Intermediate Colorist, Digital Stereoscopic Artist
OceanWorld 3D (2009)
Directed by: Jean-Jacques Mantello
Cinematography by: Gavin McKinney
3D Artist, Digital Intermediate Colorist
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Digital Intermediate Artist
Expired (2007)
Directed by: Cecilia Miniucchi
Cinematography by: Zoran Popovic
Digital Intermediate Colorist
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Digital Intermediate Editor: Fotokem Digital Film Services
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
On-line Editor
Right at Your Door (2006)
Directed by: Chris Gorak
Cinematography by: Tom Richmond
Edited by: Jeffrey M. Werner
On-line Editor
Glass House: The Good Mother (2006)
Directed by: Steve Antin
Cinematography by: Bobby Bukowski
Edited by: Joan Sobel
Digital Intermediate Artist
Electroma (2006)
Cinematography by: Thomas Bangalter
Edited by: Cédric Hervet
On-line Editor
Local Color (2006)
Directed by: George Gallo
Cinematography by: Michael Negrin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Digital Assembly Editor
Wristcutters: A Love Story (2006)
Directed by: Goran Dukic
Cinematography by: Vanja Cernjul
Edited by: Jonathan Alberts
Digital Intermediate Editor
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Digital Intermediate Editorial: Fotokem Digital Film Services
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Digital Intermediate Editor
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Digital Intermediate Editor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Digital Intermediate Editor, Digital Intermediate Editor: Fotokem Digital Film Services
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Digital Intermediate Editor
Hustle & Flow (2005)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Crew: Fotokem
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
