Visual Effects Artist: Rodeo FX
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Visual Effects Artist: Rodeo FX
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Senior Layout Artist: Cinesite
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Senior Tracking/layout Artist: Cinesite
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Senior Tracking/layout Artist: Mr. X
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Lead Layout Technical Director: MPC
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Senior Layout Artist: Cinesite
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Lead Layout Artist: Cinesite
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Layout Artist: Cinesite
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Layout Technical Director: MPC
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Stereo Matchmove Artist: Prime Focus
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Tracking/layout Lead: SPIN VFX
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Camera Department Supervisor: Starz
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Tracking/layout Lead: SPIN VFX
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
3D Artist: Switch VFX
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Tracking Lead: SPIN VFX
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Tracking/setup Lead: SPIN VFX
Survival of the Dead (2009)
Directed by: George A. Romero
Cinematography by: Adam Swica
Edited by: Michael Doherty
Tracking Lead: SPIN VFX
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Senior Lighting Artist: Spin VFX / Tracking/setup Lead: SPIN VFX
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Tracking/setup Supervisor: SPIN VFX
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Tracking Lead: SPIN VFX
Diary of the Dead (2007)
Directed by: George A. Romero
Cinematography by: Adam Swica
Edited by: Michael Doherty
Lighting And Texturing
The Marsh (2006)
Directed by: Jordan Barker
Cinematography by: David Perrault
Edited by: Nick Rotundo
Lighting/texture Artist
Alone in the Dark (2005)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Richard Schwadel
Lighting/texture Artist: SPIN VFX
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Lighting/texture Artist/tracker: Toybox
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Animator
'Shattered City: The Halifax Explosion' Episode #1.2 (2003)
Directed by: Bruce Pittman
Cinematography by: Rene Ohashi
Animator
'Shattered City: The Halifax Explosion' Episode #1.1 (2003)
Directed by: Bruce Pittman
Cinematography by: Rene Ohashi
Animator - 2 Episodes, 2003
Shattered City: The Halifax Explosion (2003)
Directed by: Bruce Pittman
Cinematography by: Rene Ohashi
3D Artist: GVFX
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
3D Animator: ToyBox
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
3D Animator: ToyBox
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
