Sound Mixer
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Production Sound Mixer
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Production Sound Mixer
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Sound Mixer
Red Sparrow (2018)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Production Sound Mixer
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Sound Mixer
Atomic Blonde (2017)
Directed by: David Leitch
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Sound Mixer
13 Hours: The Secret Soldiers of Benghazi (2016)
Directed by: Michael Bay
Cinematography by: Dion Beebe
Production Sound Mixer
Dough (2015)
Directed by: John Goldschmidt
Cinematography by: Peter Hannan
Edited by: Michael Ellis
Cameras: ARRI ALEXA Camera
Production Sound Mixer
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Production Sound Mixer
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Sound Mixer
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Production Sound Mixer
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Production Sound Mixer
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Production Sound Mixer
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Production Sound Mixer
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Sound Recordist
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Sound Mixer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Location Sound Mixer
Spartacus (2004)
Directed by: Robert Dornhelm
Cinematography by: Kees Van Oostrum
Location Sound Mixer
A Christmas Carol: The Musical (2004)
Directed by: Arthur Allan Seidelman
Cinematography by: Hanania Baer
Edited by: Bert Glatstein
Sound Mixer
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Boom Operator
Automatic (1995)
Directed by: John Murlowski
Cinematography by: Peter Fernberger
Edited by: Michael Schweitzer
Boom Operator
Cyborg 3: The Recycler (1994)
Directed by: Michael Schroeder
Cinematography by: Phil Parmet
Edited by: Barry Zetlin
Cable Person
World War II: When Lions Roared (1994)
Directed by: Joseph Sargent
Cinematography by: John A. Alonzo
Edited by: John A. Martinelli
Boom Operator: Additional Photography , Second Second Assistant Director
Final Mission (1994)
Directed by: Lee Redmond
Cinematography by: Eric J. Goldstein
Edited by: Barry Zetlin
