Unit Production Manager
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Unit Production Manager
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Unit Production Manager: Additional Photography
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Unit Production Manager
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Tracking Vehicle Grip
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Executive In Charge Of Production: Additional Photography, U.S.
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Unit Production Manager
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Unit Production Manager: UK
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Production Manager: China
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Unit Production Manager
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Unit Production Manager: UK
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Unit Production Manager
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Unit Production Manager
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Production Manager: Malta
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Assistant Director: Second Unit
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Assistant Director: Additional Photography
Kafka (1991)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Assistant Director: Second Unit
Batman (1989)
Directed by: Tim Burton
Cinematography by: Roger Pratt
Edited by: Ray Lovejoy
First Assistant Director
Hamburger Hill (1987)
Directed by: John Irvin
Cinematography by: Peter MacDonald
Edited by: Peter Tanner
First Assistant Director: Second Unit
Empire of the Sun (1987)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Second Assistant Director
King David (1985)
Directed by: Bruce Beresford
Cinematography by: Donald McAlpine
Edited by: William M. Anderson
Crew: Helicopter Unit
Rambo: First Blood Part II (1985)
Directed by: George P. Cosmatos
Cinematography by: Jack Cardiff
Second Assistant Director: UK
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Second Assistant Director: UK
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Second Assistant Director
The Hit (1984)
Directed by: Stephen Frears
Cinematography by: Mike Molloy
Edited by: Mick Audsley
Assistant Director
Never Say Never Again (1983)
Directed by: Irvin Kershner
Cinematography by: Douglas Slocombe
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Third Assistant Director
Pink Floyd: The Wall (1982)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Second Assistant Director
Loophole (1981)
Directed by: John Quested
Cinematography by: Michael Reed
Edited by: Ralph Sheldon
Assistant Director
Alien (1979)
Directed by: Ridley Scott
Cinematography by: Derek Vanlint
Cameras: Panavision Cameras
Lenses: Panavision Lenses
