Kevin Hightower

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The Boss | ShotOnWhat?

Lighting Technician

The Boss (2016)

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

Ride Along 2 | ShotOnWhat?

Lighting Technician

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Furious 7 | ShotOnWhat?

Electrician

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Taken 3 | ShotOnWhat?

Lighting Technician

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Prisoners | ShotOnWhat?

Electrician

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Internship | ShotOnWhat?

Lighting Technician

The Internship (2013)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

The Three Stooges | ShotOnWhat?

Electrician

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

The Odd Life of Timothy Green | ShotOnWhat?

Electrician

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

What to Expect When You're Expecting | ShotOnWhat?

Electrician

What to Expect When You're Expecting (2012)

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Flight | ShotOnWhat?

Rigging Electrician

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Parental Guidance | ShotOnWhat?

Electrician

Parental Guidance (2012)

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Electrician

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Madea's Big Happy Family | ShotOnWhat?

Electrician

Madea's Big Happy Family (2011)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Fast Five | ShotOnWhat?

Electrician

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Change-Up | ShotOnWhat?

Electrician

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

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