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The Aeronauts | ShotOnWhat?

Visual Effects Supervisor: Framestore

The Aeronauts (2019)

Directed by: Tom Harper

Cinematography by: George Steel

Edited by: Mark Eckersley

Cameras: Red Monstro 8K Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Tully | ShotOnWhat?

Senior Compositor: Image Engine

Tully (2018)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Stefan Grube

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Assassin's Creed | ShotOnWhat?

Visual Effects Supervisor: Image Engine

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Captain America: Civil War | ShotOnWhat?

Associate Vfx Supervisor: Image Engine

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Compositing Supervisor: Image Engine

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

San Andreas | ShotOnWhat?

Compositing Supervisor: Image Engine

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Chappie | ShotOnWhat?

Lead Compositor: Image Engine

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Senior Compositor: Sony Imageworks

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

R.I.P.D. | ShotOnWhat?

Lead Compositor: Image Engine

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Ender's Game | ShotOnWhat?

Digital Compositor: Digital Domain

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Lone Survivor | ShotOnWhat?

Compositor: Image Engine

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Mirror Mirror | ShotOnWhat?

Flame Artist: Rodeo FX

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Digital Compositor: Rodeo FX

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Red Tails | ShotOnWhat?

Digital Effects Artist: Rodeo FX

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Digital Compositor: RodeoFX

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

The Three Musketeers | ShotOnWhat?

Digital Compositor: Rodeo FX

The Three Musketeers (2011)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Immortals | ShotOnWhat?

Digital Compositor: Rodeo FX

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Source Code | ShotOnWhat?

Digital Compositor: Rodeo FX

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The American | ShotOnWhat?

Lead Digital Compositor: Modus FX

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Resident Evil: Afterlife | ShotOnWhat?

Digital Compositor: Rodeo FX

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

Gulliver's Travels | ShotOnWhat?

Digital Compositor: Rodeo FX

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Orphan | ShotOnWhat?

Digital Artist: Hybride

Orphan (2009)

Directed by: Jaume Collet-Serra

Cinematography by: Jeff Cutter

Edited by: Timothy Alverson

Shorts | ShotOnWhat?

Digital Compositor: Hybride

Shorts (2009)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Whiteout | ShotOnWhat?

Digital Compositor: Hybride

Whiteout (2009)

Directed by: Dominic Sena

Cinematography by: Christopher Soos

Edited by: Martin Hunter

The Final Destination | ShotOnWhat?

Digital Compositor: Hybride

The Final Destination (2009)

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Digital Artist: Hybride

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Dragonball: Evolution | ShotOnWhat?

Digital Compositor: Hybride

Dragonball Evolution (2009)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Matt Friedman, Chris G. Willingham

Journey to the Center of the Earth | ShotOnWhat?

Digital Compositor: Hybride

Journey to the Center of the Earth (2008)

Directed by: Eric Brevig

Cinematography by: Chuck Shuman

Edited by: Steven Rosenblum, Paul Martin Smith, Dirk Westervelt

300 | ShotOnWhat?

Visual Effects

300 (2006)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

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