Pyrotechnics Supervisor: Cinema Production Services, Inc.
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Special Effects Technician: Miniatures
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects: Cinema Production Services, Inc.
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Pyrotechnician: Cinema Production Services, Inc.
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Pyrotechnician
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Miniature Pyrotechnician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Miniature Pyrotechnician
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Pyro Foreman: Stirber Visual Network, Inc.
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Pyrotechnician: High-speed Miniatures Unit: DQI
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Miniature Pyrotechnician
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Miniature Pyrotechnician
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Miniature Pyrotechnician
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Pyro Crew Chief: Chandler
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Miniature Pyrotechnician
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Special Effects Coordinator
The Usual Suspects (1995)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor
Class of '61 (1993)
Directed by: Gregory Hoblit
Cinematography by: Janusz Kaminski
Edited by: David Rosenbloom
Special Effects Assistant
Thunderheart (1992)
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Special Effects Coordinator
After Midnight (1989)
Cinematography by: Phedon Papamichael
Cameras: ARRIFLEX Camera
Special Effects
Police Academy 5: Assignment: Miami Beach (1988)
Directed by: Alan Myerson
Cinematography by: James Pergola
Edited by: Hubert de La Bouillerie
Special Effects Supervisor
Nadine (1987)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Special Effects
A Fine Mess (1986)
Directed by: Blake Edwards
Cinematography by: Harry Stradling Jr.
Cameras: Panavision Panaflex Gold Camera
Special Effects: New York
The Protector (1985)
Directed by: James Glickenhaus
Cameras: Panavision Cameras
Special Effects
Better Off Dead... (1985)
Directed by: Savage Steve Holland
Cinematography by: Isidore Mankofsky
Edited by: Alan Balsam
Special Effects Coordinator
Jekyll and Hyde... Together Again (1982)
Directed by: Jerry Belson
Cinematography by: Philip H. Lathrop
Edited by: Billy Weber
Special Effects Supervisor
The New Adventures of Heidi (1978)
Directed by: Ralph Senensky
Cinematography by: John M. Nickolaus Jr.
Edited by: Gene Fowler Jr.
Special Effects
Ants! (1977)
Directed by: Robert Scheerer
Cinematography by: Bernie Abramson
Edited by: George Folsey Jr.
Cameras: Panavision Cameras
Special Effects
Foxy Brown (1974)
Directed by: Jack Hill
Cinematography by: Brick Marquard
Edited by: Chuck McClelland
