Post Production Consultant
Hotel Mumbai (2018)
Directed by: Anthony Maras
Cinematography by: Nick Remy Matthews
Post-production Supervisor
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Post-production Supervisor
Beyond the Lights (2014)
Directed by: Gina Prince-Bythewood
Cinematography by: Tami Reiker
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA M Camera
Post-production Supervisor: Relativity Media / Post-production Supervisor: For Relativity Media
Brick Mansions (2014)
Directed by: Camille Delamarre
Cinematography by: Christophe Collette
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses
Post-production Supervisor
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Post-production Supervisor: Finish Line Post
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Post-production Supervisor
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Post-production Supervisor
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Post-production Supervisor
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Post-production Supervisor: Relativity Media
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Post-production Supervisor: Relativity Media
Judy Moody and the Not Bummer Summer (2011)
Directed by: John Schultz
Cinematography by: Shawn Maurer
Edited by: John Pace
Post-production Coordinator
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Post-production Supervisor
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Post Supervisor: Relativity Media
Machine Gun Preacher (2011)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Post-production Supervisor
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Post-production Supervisor
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Post-production Supervisor
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Post-production Supervisor
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Post-production Supervisor
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Post-production Supervisor
The Warrior's Way (2010)
Directed by: Sngmoo Lee
Cinematography by: Woo-hyung Kim
Edited by: Jonathan Woodford-Robinson
Post-production Supervisor
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Post-production Supervisor
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Post-production Supervisor: Relativity Media
Cost of a Soul (2010)
Directed by: Sean Kirkpatrick
Cinematography by: Chase Bowman
Edited by: Jonathan Risinger
Post-production Supervisor
A Perfect Getaway (2009)
Directed by: David Twohy
Cinematography by: Mark Plummer
Edited by: Tracy Adams
Post-production Supervisor
Still Waiting... (2009)
Directed by: Jeff Balis
Cinematography by: Thomas L. Callaway
Post-production Supervisor
The Killing Room (2009)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Sean Carter
Post-production Supervisor
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Post-production Supervisor
Kill Theory (2009)
Directed by: Chris Moore
Cinematography by: David A. Armstrong
Edited by: Maureen Meulen
Post-production Supervisor
Center Stage: Turn It Up (2008)
Directed by: Steven Jacobson
Cinematography by: Dino Parks
Edited by: Ian Slater
Post-production Supervisor
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Post-production Supervisor
How to Rob a Bank (and 10 Tips to Actually Get Away with It) (2007)
Directed by: Andrews Jenkins
Cinematography by: Joe Meade
Post-production Supervisor
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Post-production Supervisor
The Last Time (2006)
Directed by: Michael Caleo
Cinematography by: Tim Suhrstedt
Post-production Supervisor
The Quiet (2005)
Directed by: Jamie Babbit
Cinematography by: M. David Mullen
Edited by: Joan Sobel
Post-production Supervisor
Harsh Times (2005)
Directed by: David Ayer
Cinematography by: Steve Mason
Edited by: Conrad Buff IV
Post-production Supervisor
Final Approach (2005)
Directed by: James Becket
Cinematography by: Denis Maloney
Edited by: Langdon Page
Cameras: ARRIFLEX Camera
Director, Story
Retrograde (2004)
Directed by: Christopher Kulikowski
Cinematography by: Carlo Thiel
Edited by: Peter Davies
Post-production Supervisor
A Rumor of Angels (2000)
Directed by: Peter O'Fallon
Cinematography by: Roy H. Wagner
Edited by: Louise Rubacky
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Cinematographer, Director, Editor, Producer, Writer
Aurora (1998)
Directed by: Christopher Kulikowski
Cinematography by: Christopher Kulikowski
Edited by: Christopher Kulikowski
Post-production Assistant
Baraka (1992)
Directed by: Ron Fricke
Cinematography by: Ron Fricke
Cameras: Todd-AO 65mm Camera
Lenses: Schneider Lenses
