Compositor: ScanlineVFX , Visual Effects: Scanline VFX
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Scanline VFX
'Game of Thrones' The Iron Throne (2019)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Compositor: ILM
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Compositor: Digital Domain
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Compositor: ILM
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Digital Compositor
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Compositor
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Digital Compositor
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Digital Compositor
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor, Sfx Artist
'Arctic Air' The Fall PT.1 (2014)
Directed by: Gary Harvey
Cinematography by: Michael C. Blundell
Digital Compositor, Sfx Artist
'Arctic Air' High Water (2014)
Directed by: Gary Harvey
Edited by: Franco Pante
Digital Compositor, Sfx Artist
'Arctic Air' On the Edge (2014)
Directed by: Martin Wood
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor, Sfx Artist
'Arctic Air' The Fugitive (2014)
Directed by: Anthony Atkins
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Digital Compositor, Sfx Artist
'Arctic Air' Flying Solo (2014)
Directed by: Anthony Atkins
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Digital Compositor, Sfx Artist
'Arctic Air' Rites of Passage (2014)
Directed by: Amanda Tapping
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor, Sfx Artist
'Arctic Air' Last Drop (2014)
Directed by: Amanda Tapping
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor, Sfx Artist
'Arctic Air' The Fall PT.2 (2014)
Directed by: Gary Harvey
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Digital Compositor
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Digital Compositor
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Compositor
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Digital Compositor / Visual Effects Artist, Sfx Artist
'Arctic Air' Ts'inada (2013)
Directed by: Kevin Fair
Lead Digital Compositor, Sfx Artist
'Arctic Air' Open Season (2013)
Directed by: Gary Harvey
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Lead Digital Compositor / Visual Effects Artist
'Arctic Air' Stormy Weather (2013)
Directed by: Anne Wheeler
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Lead Digital Compositor
'Arctic Air' There's Gold in Them Thar Hills (2013)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Lead Digital Compositor / Visual Effects Artist
'Arctic Air' Dangerous Cargo (2013)
Directed by: Anne Wheeler
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Lead Digital Compositor, Sfx Artist
'Arctic Air' Old Wounds (2013)
Directed by: Gary Harvey
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Lead Digital Compositor
'Arctic Air' Hell Hath No Fury (2013)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Compositor , Digital Artist: MPC
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Visual Effects Artist
'R.L. Stine's The Haunting Hour' Checking Out (2013)
Directed by: James Head
Cinematography by: Michael Balfry
Edited by: Lisa Robison
Lead Digital Compositor
'Arctic Air' Secrets & Lies (2013)
Directed by: Neill Fearnley
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Lead Digital Compositor
'Arctic Air' Skeletons in the Closet (2013)
Directed by: Neill Fearnley
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Digital Compositor
'Arctic Air' Blood Is Thicker Than Water (2013)
Directed by: Kevin Fair
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor
'Arctic Air' Fool Me Once (2013)
Directed by: Amanda Tapping
Edited by: Lara Mazur
Digital Compositor
'Arctic Air' All the Vital Things (2012)
Directed by: Robert Lieberman
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Compositor - 2 Episodes, 2012, Digital Compositor / Lead Digital Compositor / Visual Effects Artist - 35 Episodes, 2012-2014, Sfx Artist - 15 Episodes, 2013-2014
Arctic Air (2012)
Digital Compositor
'Arctic Air' Out of a Clear Blue Sky (2012)
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Compositor, Digital Compositor
'Arctic Air' All In (2012)
Directed by: James Dunnison
Edited by: Rick Martin
Compositor, Digital Compositor
'Arctic Air' Hijacked (2012)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Digital Compositor
'Arctic Air' Northern Lights (2012)
Directed by: Anthony Atkins
Cinematography by: Bruce Worrall
Edited by: Rick Martin
Digital Compositor
'Arctic Air' C-TVAK (2012)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor
'Arctic Air' Vancouver Is Such a Screwed Up City (2012)
Directed by: Stacey Stewart Curtis
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Digital Compositor
'Arctic Air' Drop in for Lunch (2012)
Directed by: Gary Harvey
Edited by: Lara Mazur
Digital Compositor
'Arctic Air' New North (2012)
Directed by: James Dunnison
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Digital Compositor
'Arctic Air' The Professional (2012)
Directed by: Kevin Fair
Cinematography by: Bruce Worrall
Edited by: Rick Martin
Visual Effects Artist
'R.L. Stine's The Haunting Hour' The Intruders (2012)
Directed by: Ken Friss
Cinematography by: Michael Balfry
Edited by: Lisa Robison
Visual Effects: Scanline VFX / Compositor: ScanlineVFX - 2 Episodes, 2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Artist - 2 Episodes, 2012-2013
R.L. Stine's The Haunting Hour (2010)
Directed by: Neill Fearnley, Peter DeLuise, James Head, Ken Friss, Jason Furukawa, Michael Scott, Terry Ingram, J.B. Sugar, Michael Robison, Allan Harmon, Jonathan A. Rosenbaum
Cinematography by: Michael Balfry
Cameras: Red Epic Camera
