Dailies Operator: EC3
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Dailies Assist
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Dailies Assist
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Dailies Assist
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Dailies Assist
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Dailies Assist
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Dailies Assist
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Data Wrangler: Second Unit
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Dailies Assist
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Telecine
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Dailies Assistant
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Dailies Assist
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Dailies Assist
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Dailies Assist
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Dailies Assist
'CSI: Miami' Grave Young Men (2003)
Directed by: Peter Markle
Cinematography by: Walt Lloyd
Edited by: J. Benjamin Chulay
Dailies Assist
'CSI: Miami' Extreme (2003)
Directed by: Karen Gaviola
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Bait (2003)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Scott Lerner
Dailies Assist
'CSI: Miami' Big Brother (2003)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Dailies Assist
'CSI: Miami' Grand Prix (2003)
Directed by: David Grossman
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Hurricane Anthony (2003)
Directed by: Joe Chappelle
Edited by: Scott Lerner
Dailies Assist
'CSI: Miami' The Best Defense (2003)
Directed by: Scott Lautanen
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Dailies Assist
'CSI: Miami' Death Grip (2003)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Dailies Assist
'CSI: Miami' Hard Time (2003)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Blood Brothers (2003)
Directed by: Danny Cannon
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Body Count (2003)
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: John Refoua
Dailies Assist
'CSI: Miami' Freaks and Tweaks (2003)
Directed by: Deran Sarafian
Cinematography by: Robert M. Stevens
Edited by: J. Benjamin Chulay
Dailies Assist
'CSI: Miami' Tinder Box (2003)
Directed by: Charles Correll
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Spring Break (2003)
Directed by: Deran Sarafian
Cinematography by: Robert M. Stevens
Edited by: John Refoua
Dailies Assist
'CSI: Miami' Double Cap (2003)
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Dispo Day (2003)
Directed by: David Grossman
Cinematography by: Walt Lloyd
Edited by: John Refoua
Dailies Assist
'CSI: Miami' Simple Man (2003)
Directed by: Greg Yaitanes
Cinematography by: Michael D. O'Shea
Edited by: J. Benjamin Chulay
Dailies Assist
'CSI: Miami' Evidence of Things Unseen (2003)
Directed by: Joe Chappelle
Cinematography by: Walt Lloyd
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Dead Woman Walking (2003)
Directed by: Jeannot Szwarc
Cinematography by: Michael D. O'Shea
Edited by: John Refoua
Dailies Assist
'CSI: Miami' Forced Entry (2003)
Directed by: Artie Mandelberg
Cinematography by: Walt Lloyd
Edited by: J. Benjamin Chulay
Dailies Assist
'CSI: Miami' Bunk (2003)
Directed by: Charles Correll
Cinematography by: Michael D. O'Shea
Edited by: Mark C. Baldwin
Dailies Assist
'CSI: Miami' Entrance Wound (2003)
Directed by: David Grossman
Cinematography by: Walt Lloyd
Edited by: John Refoua
Dailies Assist
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Dailies Assist - 23 Episodes, 2003
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Dailies Assist
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dailies Assist
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
