Ryan J. Frias

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Avengers: Infinity War | ShotOnWhat?

Dialogue/ADR Editor

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Mummy | ShotOnWhat?

Dialogue/adr Editor

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Thor: Ragnarok | ShotOnWhat?

Adr Editor

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

A Cure for Wellness | ShotOnWhat?

Sound Effects Editor

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Pete's Dragon | ShotOnWhat?

Sound Effects Editor

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Doctor Strange | ShotOnWhat?

Foley Editor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Foley Editor

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Captain America: Civil War | ShotOnWhat?

Dialogue Editor

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Raid 2 | ShotOnWhat?

Digital Editorial Services

The Raid 2 (2014)

Directed by: Gareth Evans

Cinematography by: Matt Flannery, Dimas Imam Subhono

Edited by: Gareth Evans

Cameras: GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses: Zeiss Ultra Prime Lenses

Rio 2 | ShotOnWhat?

Digital Editorial Support

Rio 2 (2014)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Maleficent | ShotOnWhat?

Digital Editorial Support

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Captain America: The Winter Soldier | ShotOnWhat?

Digital Editorial Support

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Love Is Strange | ShotOnWhat?

Digital Editorial Support

Love Is Strange (2014)

Directed by: Ira Sachs

Cinematography by: Christos Voudouris

Edited by: Affonso Gonçalves, Michael Taylor

I Origins | ShotOnWhat?

Digital Editorial Support

I Origins (2014)

Directed by: Mike Cahill

Cinematography by: Markus Förderer

Edited by: Mike Cahill

Cameras: Red Epic Camera

Infinitely Polar Bear | ShotOnWhat?

Digital Editorial Services

Infinitely Polar Bear (2014)

Directed by: Maya Forbes

Cinematography by: Bobby Bukowski

Edited by: Michael R. Miller

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Style Lenses

Kaze tachinu | ShotOnWhat?

Digital Editorial Support - English Version

Kaze tachinu (2013)

Directed by: Hayao Miyazaki

Cinematography by: Atsushi Okui

Edited by: Takeshi Seyama

Twenty Feet from Stardom | ShotOnWhat?

Digital Editorial Support

Twenty Feet from Stardom (2013)

Directed by: Morgan Neville

Cinematography by: Nicola Marsh, Graham Willoughby

Edited by: Douglas Blush, Kevin Klauber, Jason Zeldes

Cameras: Canon EOS-C300 Camera, Red Epic Camera

Dirty Wars | ShotOnWhat?

Digital Editorial Support

Dirty Wars (2013)

Directed by: Rick Rowley

Cinematography by: Rick Rowley

Edited by: David Riker, Rick Rowley

Cameras: Canon EOS-5D Mark II Camera, Panasonic Cameras

Don Jon | ShotOnWhat?

Digital Editorial Support: Skywalker Sound

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

All Is Lost | ShotOnWhat?

Digital Editorial Support

All Is Lost (2013)

Directed by: J.C. Chandor

Cinematography by: Frank G. DeMarco, Peter Zuccarini

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

The Bling Ring | ShotOnWhat?

Digital Editorial Services

The Bling Ring (2013)

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Ain't Them Bodies Saints | ShotOnWhat?

Digital Editorial Support

Ain't Them Bodies Saints (2013)

Directed by: David Lowery

Cinematography by: Bradford Young

Edited by: Craig McKay, Jane Rizzo

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Now You See Me | ShotOnWhat?

Digital Editorial Support

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Despicable Me 2 | ShotOnWhat?

Digital Editorial Support

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Epic | ShotOnWhat?

Digital Editorial Support

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

The Croods | ShotOnWhat?

Digital Editorial Support

The Croods (2013)

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Monsters University | ShotOnWhat?

Digital Editorial Support

Monsters University (2013)

Directed by: Dan Scanlon

Edited by: Greg Snyder

The Lone Ranger | ShotOnWhat?

Digital Editorial Services

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Thor: The Dark World | ShotOnWhat?

Digital Editorial Support

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Star Trek Into Darkness | ShotOnWhat?

Digital Editorial Services

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Fruitvale Station | ShotOnWhat?

Digital Editorial Services

Fruitvale Station (2013)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

Inequality for All | ShotOnWhat?

Digital Editorial Support

Inequality for All (2013)

Directed by: Jacob Kornbluth

Cinematography by: Svetlana Cvetko, Dan Krauss

Edited by: Kim Roberts, Miranda Yousef

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera, Sony PMW-F3 Camera

Oblivion | ShotOnWhat?

Digital Editorial Services

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Beasts of the Southern Wild | ShotOnWhat?

Additional Music Premix Engineer

Beasts of the Southern Wild (2012)

Directed by: Benh Zeitlin

Cinematography by: Ben Richardson

Edited by: Crockett Doob, Affonso Gonçalves

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Super Speed Lenses

Editing System: Avid Editing System

Wreck-It Ralph | ShotOnWhat?

Digital Editorial Services

Wreck-It Ralph (2012)

Directed by: Rich Moore

Cinematography by: Rob Dressel

Edited by: Tim Mertens

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