Jeff Murrell

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Seberg | ShotOnWhat?

Gaffer

Seberg (2019)

Directed by: Benedict Andrews

Cinematography by: Rachel Morrison

Edited by: Pamela Martin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Avengers: Endgame | ShotOnWhat?

Gaffer

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Gaffer

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Mummy | ShotOnWhat?

Gaffer

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Gaffer

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Chief Lighting Technician

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

R.I.P.D. | ShotOnWhat?

Gaffer

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Jobs | ShotOnWhat?

Additional Gaffer

Jobs (2013)

Directed by: Joshua Michael Stern

Cinematography by: Russell Carpenter

Edited by: Robert Komatsu

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Ultra Prime Lenses

Ted | ShotOnWhat?

Gaffer

Ted (2012)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Journey 2: The Mysterious Island | ShotOnWhat?

Gaffer

Journey 2: The Mysterious Island (2012)

Directed by: Brad Peyton

Cinematography by: David Tattersall

Edited by: David Rennie

Cameras: Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera

A Very Harold & Kumar 3D Christmas | ShotOnWhat?

Gaffer

A Very Harold & Kumar 3D Christmas (2011)

Directed by: Todd Strauss-Schulson

Cinematography by: Michael Barrett

Edited by: Eric Kissack

Cameras: Panavision Genesis Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Seeking Justice | ShotOnWhat?

Chief Lighting Technician

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Zookeeper | ShotOnWhat?

Chief Lighting Technician

Zookeeper (2011)

Directed by: Frank Coraci

Cinematography by: Michael Barrett

Edited by: Scott Hill

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Extraordinary Measures | ShotOnWhat?

Chief Lighting Technician

Extraordinary Measures (2010)

Directed by: Tom Vaughan

Cinematography by: Andrew Dunn

Edited by: Anne V. Coates

Miss March | ShotOnWhat?

Gaffer

Miss March (2009)

Directed by: Zach Cregger, Trevor Moore

Cinematography by: Anthony B. Richmond

Edited by: Tim Mirkovich

G-Force | ShotOnWhat?

Chief Lighting Technician

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Marley & Me | ShotOnWhat?

Chief Lighting Technician

Marley & Me (2008)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Ultra Prime Lenses

Twilight | ShotOnWhat?

Director Of Photography: Additional Photography

Twilight (2008)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Live Free or Die Hard | ShotOnWhat?

Chief Lighting Technician

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Next | ShotOnWhat?

Chief Lighting Technician

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

You, Me and Dupree | ShotOnWhat?

Chief Lighting Technician

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Lords of Dogtown | ShotOnWhat?

Gaffer

Lords of Dogtown (2005)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cursed | ShotOnWhat?

Gaffer

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Bewitched | ShotOnWhat?

Unit Gaffer

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

Biker Boyz | ShotOnWhat?

Gaffer

Biker Boyz (2003)

Directed by: Reggie Rock Bythewood

Cinematography by: Greg Gardiner

Edited by: Caroline Ross, Terilyn A. Shropshire

Men in Black II | ShotOnWhat?

Chief Lighting Technician

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The One | ShotOnWhat?

Gaffer

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Gone in Sixty Seconds | ShotOnWhat?

Gaffer

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Gaffer: Second Unit

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Blue Streak | ShotOnWhat?

Chief Lighting Technician

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Mighty Joe Young | ShotOnWhat?

Gaffer: Second Unit

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Men in Black | ShotOnWhat?

Chief Lighting Technician

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Get Shorty | ShotOnWhat?

Chief Lighting Technician

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Monkey Trouble | ShotOnWhat?

Electrician

Monkey Trouble (1994)

Directed by: Franco Amurri

Cinematography by: Luciano Tovoli

Edited by: Ray Lovejoy, Chris Peppe

True Lies | ShotOnWhat?

Electrician

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Speechless | ShotOnWhat?

Rigging Gaffer

Speechless (1994)

Directed by: Ron Underwood

Cinematography by: Donald Peterman

Edited by: Richard Francis-Bruce

Loaded Weapon 1 | ShotOnWhat?

Best Boy Electric

Loaded Weapon 1 (1993)

Directed by: Gene Quintano

Cinematography by: Peter Deming

Edited by: Christopher Greenbury

The Meteor Man | ShotOnWhat?

Electrician

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Mother's Boys | ShotOnWhat?

Electrician

Mother's Boys (1993)

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Michael D. Ornstein

Captain Ron | ShotOnWhat?

Best Boy Electric

Captain Ron (1992)

Directed by: Thom Eberhardt

Cinematography by: Daryn Okada

Edited by: Tina Hirsch

The Indian Runner | ShotOnWhat?

Grip

The Indian Runner (1991)

Directed by: Sean Penn

Cinematography by: Anthony B. Richmond

Edited by: Jay Cassidy

Solar Crisis | ShotOnWhat?

Electrician

Solar Crisis (1990)

Directed by: Richard C. Sarafian, Alan Smithee

Cinematography by: Russell Carpenter

Edited by: Richard Trevor

Cameras: Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

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