Mark Joey Tang

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Transformers: The Last Knight | ShotOnWhat?

Additional Visual Effects And Animation By: Atomic Fiction

Transformers: The Last Knight (2017)

Motion Picture

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

"Stranger Things" Chapter Nine: The Gate | ShotOnWhat?

Compositing Lead: Atomic Fiction

'Stranger Things' Chapter Nine: The Gate (2017)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Tim Ives

Edited by: Kevin D. Ross

"Stranger Things" Chapter Eight: The Mind Flayer | ShotOnWhat?

Compositing Lead: Atomic Fiction

'Stranger Things' Chapter Eight: The Mind Flayer (2017)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Tim Ives

Edited by: Nat Fuller

"Stranger Things" Chapter Seven: The Lost Sister | ShotOnWhat?

Compositing Lead: Atomic Fiction

'Stranger Things' Chapter Seven: The Lost Sister (2017)

Television Episode

Directed by: Rebecca Thomas

Cinematography by: David Franco

Edited by: Katheryn Naranjo

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Lead Compositor: Atomic Fiction

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Compositing Lead: Atomic Fiction - 3 Episodes, 2017

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Huntsman: Winter's War | ShotOnWhat?

Compositor: Atomic Fiction

The Huntsman: Winter's War (2016)

Motion Picture

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Lead Compositors: Atomic Fiction

Deadpool (2016)

Motion Picture

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Digital Compositor

The Walk (2015)

Motion Picture

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Digital Compositor: Rodeo FX

Now You See Me (2013)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Digital Compositor

Total Recall (2012)

Motion Picture

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Compositor: Double Negative

The Bourne Legacy (2012)

Motion Picture

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Compositor: Pixomondo

Red Tails (2012)

Motion Picture

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Digital Compositor

Battleship (2012)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Compositor: Pixomondo

Hugo (2011)

Motion Picture

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Digital Compositor

Battle Los Angeles (2011)

Motion Picture

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Digital Compositor

The Three Musketeers (2011)

Motion Picture

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Digital Compositor

Nanjing! Nanjing! (2009)

Motion Picture

Directed by: Chuan Lu

Cinematography by: Yu Cao

Edited by: Yun Teng

Digital Compositor

Cheung gong 7 hou (2008)

Motion Picture

Directed by: Stephen Chow

Cinematography by: Hang-Sang Poon

Edited by: Angie Lam

Digital Compositor

Jiang shan mei ren (2008)

Motion Picture

Directed by: Siu-Tung Ching

Cinematography by: Zhang Mu Liu, Ze Xie, Xiaoding Zhao

Edited by: Tracy Adams, Ki-Hop Chan, Hung Poon

Compositor

Gui si (2006)

Motion Picture

Directed by: Chao-Bin Su

Cinematography by: Arthur Wong

Edited by: Ka-Fai Cheung

Compositor: Menfond

Ultraviolet (2006)

Motion Picture

Directed by: Kurt Wimmer

Cinematography by: Arthur Wong

Edited by: William Yeh

Visual Effects

Fearless (2006)

Motion Picture

Directed by: Ronny Yu

Cinematography by: Hang-Sang Poon

Edited by: Virginia Katz, Richard Learoyd

Visual Effects

DOA: Dead or Alive (2006)

Motion Picture

Directed by: Corey Yuen

Cinematography by: Chi-Ying Chan, Kwok-Man Keung

Edited by: Ka-Fai Cheung, Eddie Hamilton, Angie Lam

Visual Effects

Gau min (2004)

Motion Picture

Directed by: Chi-Leung Law

Cinematography by: Chi-Ying Chan

Edited by: Chi-Leung Kwong

Visual Effects

The Eye 2 (2004)

Motion Picture

Directed by: Danny Pang, Oxide Chun Pang

Cinematography by: Decha Srimantra

Edited by: Danny Pang, Oxide Chun Pang

Visual Effects

Wong Gok hak yeh (2004)

Motion Picture

Directed by: Tung-Shing Yee

Cinematography by: Kwok-Man Keung

Edited by: Ka-Fai Cheung

Chin gei bin 2: Fa tou tai kam | ShotOnWhat?

Computer Animator

Chin gei bin II: Faa dou dai zin (2004)

Motion Picture

Directed by: Patrick Leung, Corey Yuen

Cinematography by: Chi-Ying Chan

Edited by: Ka-Fai Cheung

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Mark Joey Tang

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Additional Visual Effects And Animation By: Atomic Fiction

Compositing Lead: Atomic Fiction

Compositing Lead: Atomic Fiction

Compositing Lead: Atomic Fiction

Lead Compositor: Atomic Fiction

Compositing Lead: Atomic Fiction - 3 Episodes, 2017

Compositor: Atomic Fiction

Lead Compositors: Atomic Fiction

Digital Compositor

Digital Compositor: Rodeo FX

Digital Compositor

Compositor: Double Negative

Compositor: Pixomondo

Digital Compositor

Compositor: Pixomondo

Digital Compositor

Digital Compositor

Digital Compositor

Digital Compositor

Digital Compositor

Compositor

Compositor: Menfond

Visual Effects

Visual Effects

Visual Effects

Visual Effects

Visual Effects

Computer Animator