Sound Recording Mixer
Concussion (2013)
Directed by: Stacie Passon
Cinematography by: David Kruta
Edited by: Anthony Cupo
Cameras: Red Epic Camera
Lenses: Zeiss Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Re-recording Mixer
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Sound Re-recording Mixer: NYC
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Adr Mixer
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Re-recording Mixer
Hell and Back Again (2011)
Directed by: Danfung Dennis
Cinematography by: Danfung Dennis
Edited by: Fiona Otway
Cameras: Canon EOS-5D Mark II Camera
Re-recording Mixer
Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Re-recording Mixer
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Re-recording Mixer
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Re-recording Mixer
The Cove (2009)
Directed by: Louie Psihoyos
Cinematography by: Brook Aitken
Edited by: Geoffrey Richman
Cameras: Sony Other Camera, Sony PDW-F350 Camera
Re-recording Mixer
The Last Truck: Closing of a GM Plant (2009)
Cinematography by: Steven Bognar
Edited by: Steven Bognar
Re-recording Mixer
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Re-recording Mixer
The Accidental Husband (2008)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Suzy Elmiger
Re-recording Mixer
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Re-recording Mixer
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Re-recording Mixer
Lust, Caution (2007)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Re-recording Mixer
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Re-recording Mixer
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Re-recording Mixer
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Re-recording Mixer
Heavens Fall (2006)
Directed by: Terry Green
Cinematography by: Paul Sanchez
Edited by: Suzy Elmiger
Re-recording Mixer
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Re-recording Mixer
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Re-recording Mixer
Winter Passing (2005)
Directed by: Adam Rapp
Cinematography by: Terry Stacey
Edited by: Meg Reticker
Re-recording Mixer
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Re-recording Mixer
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Re-recording Mixer
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Re-recording Mixer
Carandiru (2003)
Directed by: Hector Babenco
Cinematography by: Walter Carvalho
Edited by: Mauro Alice
Re-recording Mixer
Tadpole (2002)
Directed by: Gary Winick
Cinematography by: Hubert Taczanowski
Edited by: Susan Littenberg
Re-recording Mixer
The Kid Stays in the Picture (2002)
Cinematography by: John Bailey
Edited by: Jun Diaz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Re-recording Mixer
Raising Victor Vargas (2002)
Directed by: Peter Sollett
Cinematography by: Tim Orr
Edited by: Myron Kerstein
Re-recording Mixer
Blue Car (2002)
Directed by: Karen Moncrieff
Cinematography by: Rob Sweeney
Edited by: Toby Yates
Re-recording Mixer
Secretary (2002)
Directed by: Steven Shainberg
Cinematography by: Steven Fierberg
Edited by: Pam Wise
Re-recording Engineer
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Re-recording Mixer
No Such Thing (2001)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Re-recording Mixer
Até que a Vida nos Separe (2000)
Directed by: José Zaragoza
Cinematography by: Rodolfo Sánchez
Edited by: Mauro Alice
Re-recording Mixer
Animal Factory (2000)
Directed by: Steve Buscemi
Cinematography by: Phil Parmet
Edited by: Kate Williams
Re-recording Mixer
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Re-recording Mixer
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Re-recording Mixer
Wide Awake (1998)
Directed by: M. Night Shyamalan
Cinematography by: Adam Holender
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Sound Re-recording Engineer
Safe Men (1998)
Directed by: John Hamburg
Cinematography by: Michael Barrett
Re-recording Mixer
No Looking Back (1998)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Re-recording Mixer
Gummo (1997)
Directed by: Harmony Korine
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Re-recording Mixer
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Sound Re-recording Mixer: Sound One
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Re-recording Mixer
American Buffalo (1996)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Sound Re-recording Engineer
She's the One (1996)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Adr Mixer
Before Sunrise (1995)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Additional Sound Re-recording Mixer
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Re-recording Mixer
Amateur (1994)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Where the Rivers Flow North (1993)
Directed by: Jay Craven
Cinematography by: Paul Ryan
Edited by: Barbara Tulliver
Adr Engineer
The Night We Never Met (1993)
Directed by: Warren Leight
Cinematography by: John Thomas
Edited by: Camilla Toniolo
Cameras: Panavision Cameras
Re-recording Mixer
Combination Platter (1993)
Directed by: Tony Chan
Cinematography by: Yoshifumi Hosoya
Adr Mixer
Cousins (1989)
Directed by: Joel Schumacher
Cinematography by: Ralf D. Bode
Edited by: Robert Brown
Dubbing Recordist
Betrayed (1988)
Directed by: Costa-Gavras
Cinematography by: Patrick Blossier
Edited by: Joële Van Effenterre
Sound Recordist: New York
84 Charing Cross Road (1987)
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: Chris Wimble
Cameras: ARRIFLEX 35 BL Camera
