Digital Compositor: Lipsync Post
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Lead Compositor: LipSync Post
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor: LipSync Post
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Lead Compositor
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Digital Compositor: LipSync Post
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
Blitz (2011)
Directed by: Elliott Lester
Cinematography by: Rob Hardy
Edited by: John Gilbert
Digital Compositor: LipSync Post
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Compositor: Lip Sync Post
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Sequence Supervisor: LipSync Post
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Digital Compositor: LipSync Post
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Digital Compositor: LipSync Post
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Digital Compositor: Lip Sync Post
Good (2008)
Directed by: Vicente Amorim
Cinematography by: Andrew Dunn
Edited by: John Wilson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Lead Compositor: LipSync Post
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Artist
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Compositor
The Ferryman (2007)
Directed by: Chris Graham
Cinematography by: Aaron Morton
Edited by: Nigel Galt
Compositing Supervisor: LipSync Post
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Digital Compositor: LipSync Post
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Compositor: LipSync Post
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Digital Compositor: MPC
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Digital Artist
The Merchant of Venice (2004)
Directed by: Michael Radford
Cinematography by: Benoît Delhomme
Edited by: Lucia Zucchetti
Digital Artist
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Digital Compositor
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Compositor
Dog Soldiers (2002)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Neil Marshall
Matte Camera Operator
Hellbound: Hellraiser II (1988)
Directed by: Tony Randel
Cinematography by: Robin Vidgeon
Cameras: Panavision Cameras
Matte Camera Operator
Clash of the Titans (1981)
Directed by: Desmond Davis
Cinematography by: Ted Moore
Edited by: Timothy Gee
