Josh Margolies

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Snow White and the Huntsman | ShotOnWhat?

Editorial Manager: Rhythm And Hues

Snow White and the Huntsman (2012)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editorial Manager: Rhythm And Hues

Life of Pi (2012)

Motion Picture

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Visual Effects Editor: Rhythm And Hues

X: First Class (2011)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Editor: Rhythm & Hues Studios

The A-Team (2010)

Motion Picture

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editorial Manager: Rhythm & Hues

The Golden Compass (2007)

Motion Picture

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Film Editorial Manager: Rhythm & Hues

The Fast and the Furious: Tokyo Drift (2006)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Garfield: A Tail of Two Kitties | ShotOnWhat?

Editorial Manager: Rhythm & Hues Studios

Garfield: A Tail of Two Kitties (2006)

Motion Picture

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Visual Effects Editor

Serenity (2005)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Editorial Manager: Rhythm & Hues

Dr. Dolittle 2 (2001)

Motion Picture

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Visual Effects Editor

Chain of Fools (2000)

Motion Picture

Directed by: Pontus Löwenhielm, Patrick von Krusenstjerna

Cinematography by: Frederick Elmes

Edited by: Harvey Rosenstock

Visual Effects Editor: Rhythm & Hues

Mystery Men (1999)

Motion Picture

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Visual Effects Editor: Rhythm & Hues

Speed 2: Cruise Control (1997)

Motion Picture

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Visual Effects Editor: Rhythm & Hues

The Associate (1996)

Motion Picture

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

Visual Effects Assistant Editor: Digital Domain

Apollo 13 (1995)

Motion Picture

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Visual Effects Assistant Editor: Digital Domain

Interview with the Vampire: The Vampire Chronicles (1994)

Motion Picture

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Visual Effects Assistant Editor: Digital Domain

True Lies (1994)

Motion Picture

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

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Josh Margolies

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Editorial Manager: Rhythm And Hues

Snow White and the Huntsman (2012)

Editorial Manager: Rhythm And Hues

Life of Pi (2012)

Visual Effects Editor: Rhythm And Hues

X: First Class (2011)

Visual Effects Editor: Rhythm & Hues Studios

The A-Team (2010)

Editorial Manager: Rhythm & Hues

The Golden Compass (2007)

Film Editorial Manager: Rhythm & Hues

The Fast and the Furious: Tokyo Drift (2006)

Editorial Manager: Rhythm & Hues Studios

Garfield: A Tail of Two Kitties (2006)

Visual Effects Editor

Serenity (2005)

Editorial Manager: Rhythm & Hues

Dr. Dolittle 2 (2001)

Visual Effects Editor

Chain of Fools (2000)

Visual Effects Editor: Rhythm & Hues

Mystery Men (1999)

Visual Effects Editor: Rhythm & Hues

Speed 2: Cruise Control (1997)

Visual Effects Editor: Rhythm & Hues

The Associate (1996)

Visual Effects Assistant Editor: Digital Domain

Apollo 13 (1995)

Visual Effects Assistant Editor: Digital Domain

Interview with the Vampire: The Vampire Chronicles (1994)

Visual Effects Assistant Editor: Digital Domain

True Lies (1994)

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