Vemulapalli Sasi Kiran

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Lighting Artist

Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Lighting Artist

Ready Player One (2018)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Lighting Artist

The Fate of the Furious (2017)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lighting Artist, Lighting Artist: Digital Domain

Spider-Man: Homecoming (2017)

Motion Picture

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Lighting Artist

Thor: Ragnarok (2017)

Motion Picture

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Lighting Td: Framestore

Fantastic Beasts and Where to Find Them (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

X-Men: Days of Future Past | ShotOnWhat?

Lighting Td

X-Men: Days of Future Past (2014)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Sequence Supervisor: Rhythm & Hues Studios

Life of Pi (2012)

Motion Picture

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Lighting Lead

Hop (2011)

Motion Picture

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Lighting Lead

Aliens in the Attic (2009)

Motion Picture

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Lighting Lead: Rhythm & Hues Studios

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Lighting Lead: Rhythm & Hues

The Mummy: Tomb of the Dragon Emperor (2008)

Motion Picture

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Look Development: Rhythm & Hues

The Golden Compass (2007)

Motion Picture

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Lighter: Rhythm & Hues

Night at the Museum (2006)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Lighting Td

Friday Night Lights (2004)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

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Vemulapalli Sasi Kiran

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Lighting Artist

Avengers: Infinity War (2018)

Lighting Artist

Ready Player One (2018)

Lighting Artist

The Fate of the Furious (2017)

Lighting Artist, Lighting Artist: Digital Domain

Spider-Man: Homecoming (2017)

Lighting Artist

Thor: Ragnarok (2017)

Lighting Td: Framestore

Fantastic Beasts and Where to Find Them (2016)

Lighting Td

X-Men: Days of Future Past (2014)

Sequence Supervisor: Rhythm & Hues Studios

Life of Pi (2012)

Lighting Lead

Hop (2011)

Lighting Lead

Aliens in the Attic (2009)

Lighting Lead: Rhythm & Hues Studios

Night at the Museum: Battle of the Smithsonian (2009)

Lighting Lead: Rhythm & Hues

The Mummy: Tomb of the Dragon Emperor (2008)

Look Development: Rhythm & Hues

The Golden Compass (2007)

Lighter: Rhythm & Hues

Night at the Museum (2006)

Lighting Td

Friday Night Lights (2004)

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